Carl Maria von Weber: Bläserkonzerte auf CD

Brillante Bläserkonzerte von Carl Maria von Weber mit dem Scottish Chamber Orchestra. Fagottist Peter Whelan hat eigens für diese Produktion das Fagottkonzert F-Dur in einer Version aus dem Jahre 1822 rekonstruiert, Hormist Frank-Gemmill krönt seine Einspielung mit einer eigenen Fassung der berüchtigt schwierigen Cadenz des Horn Concertinos.

Product Information

The ‘Clarinet Concerto No. 1 in F minor' and ‘Concertino for Clarinet & Orchestra in C minor / E-flat Major' were composed at a pivotal time in the instrument's development. A new style of playing which was soft, full and rich in tone inspired several composers to write for the instrument, whilst inspiring Weber to write what would become one of the cornerstone's of the clarinet repertoire. Clarinettist Maximiliano Martín was praised for his performance of Weber on 2009's Vibraciones del Alma with The Herald admiring his ‘liquid virtuosity, which flows like oil'.

Weber's background as an opera composer is apparent in the entertaining and theatrical ‘Bassoon Concerto in F Major'. As Peter Whelan commented: ‘It's terrific fun to play because Weber writes for the bassoon as though it were a tenor in an opera - so you get to play lots of different characters...from jilted lover to comic clown'. For this performance Peter has reconstructed a version of the 1822 score rather than employing the commonly used 1865 version.

With a preponderance of chromatic pitches and the requirement of multiphonic chords, the virtuosic ‘Horn Concertino in E minor' is widely-regarded as an extremely demanding work for soloists. Alec Frank-Gemmill commented: ‘Weber's clever combination of tunefulness with crazy special effects is a winner and was also unprecedented at the time'. In a unique twist Alec combines these interesting features with memories of melodies heard earlier in the piece to perform his own version of the cadenza.

(linnrecords. com)

Rezensionen

»(.​.​.​) was man da zu hören bekommt, ist exzellent.​ Maximiliano Martin spielt das Klarinettenkonzert Nr.​1 mit wunderbarer Eleganz, (.​.​.​) Peter Whelan geht mit ähnlichem Ansatz an Webers Fagottkonzert: wenig Vibrato - zuweilen fühlt man sich schon an barocke Spieltechnik erinnert - und im Rondo al ungarese mit noblem Humor.​ Wunderbar einfache Klangschönheit zeigt auch Alec Frank-Gemmill im Concertino für Horn und Orchester.​« (FONO FORUM, Dezember 2012)