Franz Liszt: Sämtliche Lieder Vol.1
Sämtliche Lieder Vol.1
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
umgehend lieferbar, Bestand beim Lieferanten vorhanden
EUR 19,99*
Verlängerter Rückgabezeitraum bis 31. Januar 2025
Alle zur Rückgabe berechtigten Produkte, die zwischen dem 1. bis 31. Dezember 2024 gekauft wurden, können bis zum 31. Januar 2025 zurückgegeben werden.
- Kling leise, mein Lied; In Liebeslust; Wie singt die Lerche schön; Die stille Wasserrose; Lieder aus Schillers Wilhlem Tell; Der Glückliche; Angiolin dal biondo crin; 3 Petrarca-Sonette; Bist du; Es rauschen die Winde; Schwebe, schwebe, blaues Auge; Im Rhein, im schönen Strome
- Künstler: Matthew Polenzani (Tenor),Julius Drake (Klavier)
- Label: Hyperion, DDD, 2010
- Bestellnummer: 1139625
- Erscheinungstermin: 3.12.2010
Product-Information:
The start of another Hyperion Lieder series is always cause for celebration. In advance of his bicentenary in 2011, we turn to a composer whose songs, against the vast bulk of his compositions in larger genres, were considered insignificant for well over a century.
A collaborator with some of Europe’s best singers, such as the great French tenor Adolphe Nourrit and the husband–wife duo of Feodor and Rosa von Milde (the first Elsa and Telramund in Wagner’s Lohengrin), Liszt used song as a compositional laboratory in which to experiment with ‘Zukunftsmusik’, or ‘music of the future’, including some of his most finely wrought works. A cosmopolitan artist who traveled prodigiously during his years as a virtuoso performer from 1838 to 1847, he chose song texts written both by denizens of Mount Olympus (Goethe, Schiller, Heine, Hugo, Tennyson, Tolstoy, Petrarch) and amateurs, the latter often aristocrats from Liszt’s glittering social circles. From their words he created songs that changed the very definition of the genre, that are a bridge to such later masters as Hugo Wolf, Sergei Rachmaninov and Richard Strauss.
This first volume in the series features the American tenor Matthew Polenzani who has been astounding Met opera audiences in recent years with his expressive and ardent performances. He is accompanied by the curator of the series and Hyperion regular, Julius Drake.
Rezensionen
'Polenzani is evidently a tenor of the finest quality: a lyric voice, sweet and ingratiating, with the capacity to ring out excitingly, gloriously easy on high but with a perfectly adequate body to the tone in its middle and lower registers. He is firm and even, pleasingly expressive … He sings with warmth, intelligence and conviction, matching the superb playing of his pianist Julius Drake' (Gramophone)
'This stupendous disc … Most of Liszt’s songs are big statements, usually described as virtuoso. But as with so much of his music, their difficulty in performance is to be found in their emotional and expressive extremes. The challenges are more than met here, with Polenzani doing things in songs such as Der Fischerknabe or Pace Non Trovo that you never thought were possible for a human voice, while Drake’s intensity is total and unswerving' (The Guardian)
'Polenzani remains an extraordinarily communicative Lieder singer, possessed of an agile and flexible voice of tremendous versatility. In the most intimate of these settings, as well as in the quasi-operatic ones, Polenzani and Drake create performances that are at once thoughtful, richly atmospheric and never less than compelling … This auspicious inauguration of the series whets the appetite for more' (International Record Review)
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Ständchen S 301 (1848) (Kling leise mein Lied (Nordmann))
- 2 In Liebeslust S 318 (1860) (, in Sehnsuchtsqual (Fallersleben))
- 3 Wie singt die Lerche schön S 312 (1856) (Fallersleben)
- 4 Die stille Wasserrose S 321 (1860) (Geibel)
Lieder aus Wilhelm Tell S 292 (1845) (3 Lieder nach Schiller)
- 5 Nr. 1 Der Fischerknabe
- 6 Nr. 2 Der Hirt
- 7 Nr. 3 Der Alpenjäger
- 8 Der Glückliche (1879) (Wie glänzt nun die Welt (Wilbrandt))
- 9 Angiolin dal biondo crin S 269 (1842) (Bocella)
Petrarca-Sonette Nr. 1-3 S 270 (1847) (für Singstimme und Klavier)
- 10 Nr. 1 Benedetto sia il giorno
- 11 Nr. 2 Pace non trovo
- 12 Nr. 3 I' vidi in terra angelici costumi
- 13 Bist du (1879) (Mild wie ein Lufthauch (Metschersky))
- 14 Es rauschen die Winde S 294, 2 (Rellstab)
- 15 Schwebe, schwebe, blaues Auge II S 305 (1848) (Dingelstedt)
- 16 Im Rhein, im schönen Strome R 566 S 272 (Heine)
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