Trygve Seim: Yeraz
Yeraz
CD
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- Label: ECM, 2007
- Erscheinungstermin: 19.9.2008
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“Listen as this reed pipes its plaint / Unfolds its tale of separations”– so begins Rumi’s “The Song of the Reed”. When Trygve Seim and Frode Halti play – activating reeds with lungs and bellows – sounds of saxophone and accordion can be remarkably close, as they draw together the cries of the world. Seim and Haltli explore the similarities between the instruments and the musical history they share. Writing in Jazzwise magazine, UK journalist Geoff Andrew praised a recent Berlin performance by the duo at the appropriately-named Shared Sounds festival. “Trygve Seim and Frode Haltli played a rewarding extended duet that embraced all manner of moods and allusions. The fragmented interplay between saxes and accordion was quite mesmerizingly beautiful.”
The cover shows an open road stretching towards the horizon, and this is music in movement; Its sources include Armenian traditional music (the title track), music of G. I. Gurdjieff (the Greek-Armenian philosopher-mystic who collected traditional material on travels around the Caucasus and the Middle-East), Caribbean Wailers’ reggae (a rubato version of Bob Marley’s “Redemption Song”), a free waltz with a nod to US singer-songwriter Tom Waits (“Waits for Waltz”), improvisations.... Some favourite pieces are revisited: “MmBall” (by Seim’s drummer Per Oddvar Johansen), Seim’s “Bhavana” and “Airamero” (the latter from the repertoire of Trygve’s old band of the early 1990s, itself strongly ECM-influenced) and more – all tunes newly arranged by Seim and Haltli.
Key figures in the new Norwegian music, Trygve Seim and Frode Haltli have played together in many contexts. The accordionist joined Seim’s large ensemble for live performances after the release of “Different Rivers” in 2000, and participated in the recording of “The Source and Different Cikadas” later that year, as well as “Sangam” (recorded 2002-2004). He continues to tour regularly with Seim’s large ensemble. Trygve and Frode have been playing in duo since 2001: “Yeraz” is the first documentation of their work in this format.
The two musicians share an interest in the expressive potential of acoustic music across all stylistic boundaries, from world folk traditions to contemporary composition. Accordionist Frode Haltli came to contemporary music early, but simultaneously began playing folk music in his local village community, and at 13 was the youngest member of a traditional dance band. Folk has remained a thread in a musical life that embraces improvisation as well as performance of composed music with a special focus on modern composers. His prize winning debut album “Looking on Darkness” (ECM New Series, 2002) including the title piece written by Bent Sørensen, was a powerful summing up of new directions in Nordic composition. “Passing Images” (recorded 2004) made connections between folk and improvisation and pooled a team of maverick talents including classical violist Garth Knox, jazz trumpeter Arve Henriksen and singer / composer Maja Ratkje.
The span of references is maintained in Haltli’s other activities, which include the trio Poing with Rolf Erik Nystrøm (saxophone) and Håkon Thelin (bass), playing primarily contemporary music, and the folk trio Rusk with singer Unni Løvlid and fiddler Vegar Vårdal.
Inspired early in his creative life by Jan Garbarek and by Edward Vesala, Seim has worked in many modern jazz contexts, and continues to tour with Manu Katché’s group. In his own music, however, distance from conventional definitions of jazz becomes ever more marked. Investigation of Asian, Middle Eastern and East European music – and especially the sounds of the Armenian duduk, the Japanese shakuhachi, and the Indian bansuri flute – have had their impact on Seim’s music and brought about a redefining of the nature of dynamics. Subtle shadings and textures are part of his palette, and microtonal phrasing characteristic of his melodic approach.
In additional to his discography as a leader and as a member of The Source, Trygve Seim appears on ECM recordings by Iro Haarla (“Northbound”), Sinikka Langeland (“Starflowers”), Christian Wallumrød (“Sofienberg Variations”), and Manu Katché (“Playground”). Other recent activities have included extended stays in Cairo, where Seim studied Arabian modes and played concerts with pianist Fathy Salama.
Both musicians are prize-winning artists. Seim’s ECM debut “Different Rivers” won the annual prize of the German Record Critics (Jahrespreis der Deutschen Schallplattenkritik 2001). Similarly, Haltli’s ECM debut “Looking on Darkness” won the French Prix Gus Viseur in 2004 as well as the Norwegian Spellemannprisen for Best Contemporary Music Album.
Mittelalterliche Musik, imaginäre Folklore, Klangmärchen, Kammermusik, freie Improvisation, Exotik, Atem, Meditation ergeben eine organische Einheit. Manchmal weiß man nicht, welches Instrument welchen Ton initiiert, oder man glaubt plötzlich eine Trompete oder Gitarre zu hören. Der Raum für die Imagination ist unermesslich und verteilt sich über eine ganze Reihe unterschiedlicher Orte. … Das Duo-Album von Trygve Seim und Frode Haltli ist im besten Sinne des Wortes Weltmusik, weil es ohne falsche Ethno-Romantik verschiedene Aspekte globaler Klanganeignung zusammenführt. Unaufdringlich und unprogrammatisch, doch mit einer diskreten Aufrichtigkeit, die man so nur ganz selten findet. Wolf Kampmann, Jazzthing
Im luftig intimen Duo mit Akkordeonspieler Frode Haltli demonstriert er komplett entschlackt seinen anderen Zugang, der vom Duduk und von asiatischen Flöten ebenso inspiriert ist wie von Jazz, einheimischem Folk und klassischer Musik. Die Instrumente klingen wie in die Fremde entrückt. Diese Musik wächst, indem sie sich Zeit lässt und das auch vom Hörer verlangt. Ulrich Steinmetzger, Berner Zeitung
Magnifique est l’introspection sonore que réussit ce duo, don’t la complicité s’est consolidée à travers des années d’écoute mutuelle et de partage dans divers projets. Maîtrise remarquable du son, du soufflé, du temps et de l’espace, de la tonalité et de l’intensité expressive. Lyrisme retenu, chant meditatif à l’unisson, contrepoint minimal qui échappe au prévisible. Dans la sublimation de la nuance et la subtilité extreme du son, la beauté derive entre le polongement des harmoniques et les changements abrupts du jeu improvise. Francisco Cruz, Jazzmagazine
The cover shows an open road stretching towards the horizon, and this is music in movement; Its sources include Armenian traditional music (the title track), music of G. I. Gurdjieff (the Greek-Armenian philosopher-mystic who collected traditional material on travels around the Caucasus and the Middle-East), Caribbean Wailers’ reggae (a rubato version of Bob Marley’s “Redemption Song”), a free waltz with a nod to US singer-songwriter Tom Waits (“Waits for Waltz”), improvisations.... Some favourite pieces are revisited: “MmBall” (by Seim’s drummer Per Oddvar Johansen), Seim’s “Bhavana” and “Airamero” (the latter from the repertoire of Trygve’s old band of the early 1990s, itself strongly ECM-influenced) and more – all tunes newly arranged by Seim and Haltli.
Key figures in the new Norwegian music, Trygve Seim and Frode Haltli have played together in many contexts. The accordionist joined Seim’s large ensemble for live performances after the release of “Different Rivers” in 2000, and participated in the recording of “The Source and Different Cikadas” later that year, as well as “Sangam” (recorded 2002-2004). He continues to tour regularly with Seim’s large ensemble. Trygve and Frode have been playing in duo since 2001: “Yeraz” is the first documentation of their work in this format.
The two musicians share an interest in the expressive potential of acoustic music across all stylistic boundaries, from world folk traditions to contemporary composition. Accordionist Frode Haltli came to contemporary music early, but simultaneously began playing folk music in his local village community, and at 13 was the youngest member of a traditional dance band. Folk has remained a thread in a musical life that embraces improvisation as well as performance of composed music with a special focus on modern composers. His prize winning debut album “Looking on Darkness” (ECM New Series, 2002) including the title piece written by Bent Sørensen, was a powerful summing up of new directions in Nordic composition. “Passing Images” (recorded 2004) made connections between folk and improvisation and pooled a team of maverick talents including classical violist Garth Knox, jazz trumpeter Arve Henriksen and singer / composer Maja Ratkje.
The span of references is maintained in Haltli’s other activities, which include the trio Poing with Rolf Erik Nystrøm (saxophone) and Håkon Thelin (bass), playing primarily contemporary music, and the folk trio Rusk with singer Unni Løvlid and fiddler Vegar Vårdal.
Inspired early in his creative life by Jan Garbarek and by Edward Vesala, Seim has worked in many modern jazz contexts, and continues to tour with Manu Katché’s group. In his own music, however, distance from conventional definitions of jazz becomes ever more marked. Investigation of Asian, Middle Eastern and East European music – and especially the sounds of the Armenian duduk, the Japanese shakuhachi, and the Indian bansuri flute – have had their impact on Seim’s music and brought about a redefining of the nature of dynamics. Subtle shadings and textures are part of his palette, and microtonal phrasing characteristic of his melodic approach.
In additional to his discography as a leader and as a member of The Source, Trygve Seim appears on ECM recordings by Iro Haarla (“Northbound”), Sinikka Langeland (“Starflowers”), Christian Wallumrød (“Sofienberg Variations”), and Manu Katché (“Playground”). Other recent activities have included extended stays in Cairo, where Seim studied Arabian modes and played concerts with pianist Fathy Salama.
Both musicians are prize-winning artists. Seim’s ECM debut “Different Rivers” won the annual prize of the German Record Critics (Jahrespreis der Deutschen Schallplattenkritik 2001). Similarly, Haltli’s ECM debut “Looking on Darkness” won the French Prix Gus Viseur in 2004 as well as the Norwegian Spellemannprisen for Best Contemporary Music Album.
Pressestimmen:
Mittelalterliche Musik, imaginäre Folklore, Klangmärchen, Kammermusik, freie Improvisation, Exotik, Atem, Meditation ergeben eine organische Einheit. Manchmal weiß man nicht, welches Instrument welchen Ton initiiert, oder man glaubt plötzlich eine Trompete oder Gitarre zu hören. Der Raum für die Imagination ist unermesslich und verteilt sich über eine ganze Reihe unterschiedlicher Orte. … Das Duo-Album von Trygve Seim und Frode Haltli ist im besten Sinne des Wortes Weltmusik, weil es ohne falsche Ethno-Romantik verschiedene Aspekte globaler Klanganeignung zusammenführt. Unaufdringlich und unprogrammatisch, doch mit einer diskreten Aufrichtigkeit, die man so nur ganz selten findet. Wolf Kampmann, Jazzthing
Im luftig intimen Duo mit Akkordeonspieler Frode Haltli demonstriert er komplett entschlackt seinen anderen Zugang, der vom Duduk und von asiatischen Flöten ebenso inspiriert ist wie von Jazz, einheimischem Folk und klassischer Musik. Die Instrumente klingen wie in die Fremde entrückt. Diese Musik wächst, indem sie sich Zeit lässt und das auch vom Hörer verlangt. Ulrich Steinmetzger, Berner Zeitung
Magnifique est l’introspection sonore que réussit ce duo, don’t la complicité s’est consolidée à travers des années d’écoute mutuelle et de partage dans divers projets. Maîtrise remarquable du son, du soufflé, du temps et de l’espace, de la tonalité et de l’intensité expressive. Lyrisme retenu, chant meditatif à l’unisson, contrepoint minimal qui échappe au prévisible. Dans la sublimation de la nuance et la subtilité extreme du son, la beauté derive entre le polongement des harmoniques et les changements abrupts du jeu improvise. Francisco Cruz, Jazzmagazine
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Praeludium - Bayaty / Duduki
- 2 Airamero
- 3 Introduction - Yeraz
- 4 L'Altra Storia
- 5 MmBall
- 6 Bhavana
- 7 Fast Jazz
- 8 Redemption Song
- 9 Waits For Waltz
- 10 Postludium
