Sharon Bezaly - Meisterwerke für Flöte & Klavier Vol.2
Sharon Bezaly - Meisterwerke für Flöte & Klavier Vol.2
Mit Werken von:
Francis Poulenc (1899-1963)
, Frank Martin (1890-1974)
, Carl Heinrich Reinecke (1824-1910)
, Bohuslav Martinu (1890-1959)
, Olivier Messiaen (1908-1992)
Mitwirkende:
Sharon Bezaly, Ronald Brautigam
Super Audio CD
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
-
Poulenc: Sonate für Flöte & Klavier
+Martin: Ballad
+Reinecke: Sonata "Undine" für Flöte & Klavier op. 167
+Martinu: Sonate für Flöte & Klavier
+Messiaen: Le merle noir - Tonformat: stereo & multichannel (Hybrid)
- Künstler: Sharon Bezaly, Ronald Brautigam
- Label: BIS, DDD, 2008
- Bestellnummer: 8599151
- Erscheinungstermin: 26.5.2010
Von Carl Reineckes 1882 entstandener „Undine“-Sonate bis zu Poulencs 1957 komponierter Flötensonate spannt sich ein stilistisch weit gespannter Bogen, der fünf Schlüsselwerke des Flötenrepertoires in sich vereint. Virtuoses steht neben Lyrischem und großer Dramatik, rhythmisch Getriebenes neben weichen Klangfarben.
Wie schon Folge 1 dürfte auch diese SACD sich schnell zu einer Referenzeinspielung und einem „Must have“ nicht nur für Flötistinnen und Flötisten entwickeln.
From Carl Reinecke's Undine Sonata, composed in 1882, to Poulenc's 1957 Flute Sonata this disc brings together five central works in the repertoire for flute and piano, covering a wide range of styles and approaches. Reinecke's work is a musical re-telling of the well-known story of Undine, the water spirit who marries a knight, but is betrayed and takes her revenge on him. Frank Martin's virtuosic Ballade (1939) features an acrobatic flute cadenza, roaming melismas and irrepressible cascades, generating a compelling sense of drama. In 1945, while in exile during the German occupation of Czechoslovakia, Martinů composed his Flute Sonata, in which the virtues of his distinct musical language are plain to hear - lyrical lines, a rhythmic drive which is both energetic and lively and an effective use of tone colour. Six years later the bird-lover Messiaen composed Le merle noir, constructed around the song of the blackbird, which he painstakingly noted down and then found the means to imitate on the flute. Poulenc's melodic Sonata, finally, has become a signature work for its composer: its lightness, transparency and sonic refinement have charmed audiences ever since the first performance. Presenting this substantial programme is Sharon Bezaly, one of today's leading flutists, supported by the eminent pianist Ronald Brautigam. The same performers have previously released a highly acclaimed duo disc which Classic FM Magazine described as 'compulsively listenable … Prokofiev's Flute Sonata has never sounded so perkily seductive on disc, nor has Schubert's enchanting set of variations given up its secrets so readily'. In agreement with this, website Classics Today. com wrote: 'On the evidence of this sensational disc, it seems clear that Sharon Bezaly is a flutist virtually without peer in the world today'.
Wie schon Folge 1 dürfte auch diese SACD sich schnell zu einer Referenzeinspielung und einem „Must have“ nicht nur für Flötistinnen und Flötisten entwickeln.
From Carl Reinecke's Undine Sonata, composed in 1882, to Poulenc's 1957 Flute Sonata this disc brings together five central works in the repertoire for flute and piano, covering a wide range of styles and approaches. Reinecke's work is a musical re-telling of the well-known story of Undine, the water spirit who marries a knight, but is betrayed and takes her revenge on him. Frank Martin's virtuosic Ballade (1939) features an acrobatic flute cadenza, roaming melismas and irrepressible cascades, generating a compelling sense of drama. In 1945, while in exile during the German occupation of Czechoslovakia, Martinů composed his Flute Sonata, in which the virtues of his distinct musical language are plain to hear - lyrical lines, a rhythmic drive which is both energetic and lively and an effective use of tone colour. Six years later the bird-lover Messiaen composed Le merle noir, constructed around the song of the blackbird, which he painstakingly noted down and then found the means to imitate on the flute. Poulenc's melodic Sonata, finally, has become a signature work for its composer: its lightness, transparency and sonic refinement have charmed audiences ever since the first performance. Presenting this substantial programme is Sharon Bezaly, one of today's leading flutists, supported by the eminent pianist Ronald Brautigam. The same performers have previously released a highly acclaimed duo disc which Classic FM Magazine described as 'compulsively listenable … Prokofiev's Flute Sonata has never sounded so perkily seductive on disc, nor has Schubert's enchanting set of variations given up its secrets so readily'. In agreement with this, website Classics Today. com wrote: 'On the evidence of this sensational disc, it seems clear that Sharon Bezaly is a flutist virtually without peer in the world today'.
Rezensionen
FonoForum 09/10: "Wiederum beeindruckt Sharon Bezaly durch in jeder Beziehung souveräne Perfektion, adäquat unterstützt vom Niederlälnder Ronald Brautigam."- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (SACD)
Sonate für Flöte und Klavier FP 164
- 1 1. Allegro malinconico
- 2 2. Cantilena: Assez lent
- 3 3. Presto giocoso
- 4 Franck Martin: Ballade für Flöte und Klavier
Undine op. 167 (Sonate für Flöte und Klavier)
- 5 1. Allegro
- 6 2. Intermezzo: Allegretto vivace
- 7 3. Andante tranquillo
- 8 4. Finale: Allegro molto agitato ed appassionato, quasi Presto
Sonate für Flöte und Klavier H 306
- 9 1. Allegro moderato
- 10 2. Adagio
- 11 3. Allegro poco moderato
- 12 Olivier Messiaen: Le Merle noir (Die schwarze Amsel) (für Flöte und Klavier)