Robert Schumann: Werke für Cello & Klavier auf CD

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‘There is no composer to whom I feel closer than to Schumann. He has been a beloved friend since I was a child; I remain as fascinated today as I was then by his unique blend of poetry, ecstatic strength and confessional intimacy.’

Steven Isserlis’s own words give the background to this fascinating disc.

Schumann’s affection for the cello ran deep. It was an instrument he had played in his youth, and considered taking up again when, at the age of twenty-two, an accident to his hand forced him to relinquish his dream of being a virtuoso pianist. ‘I want to take up the violoncello again (one needs only the left hand for this) and it will be very useful to me in composing symphonies’, he wrote to his mother. The sound of the cello played without the right hand would have been somewhat minimalist; but his love for the instrument is clearly demonstrated by the cello parts in all four of his symphonies, as well as in the concertos for piano and violin, and of course throughout his chamber music. As the great musicologist Donald Francis Tovey put it: ‘The qualities of the violoncello are exactly those of the beloved dreamer whom we know as Schumann.’

Rezensionen

'[Violin Sonata] This fabulously virtuosic and psychologically complex work forces Isserlis's musicianship up to a new level … Isserlis masters its explosive flourishes and has the vital impetus to manke an eccentric work feel whole' (BBC Music Magazine)

'A disc that all Schumann lovers will want to own' (CD Review, BBC Radio 3)

'This music sings and soars, flying to the instrument's highest reaches with dreamy eloquence and a sense of rightness … He plays with fierceness and soul' (The Observer)

'The whole programme is a delight, as both artists catch the music's poetic ebb and flow to perfection' (Sunday Times)

Rezensionen

N.​ Hornig in FonoForum 08/09: "Zusammen mit Várjon taucht er ein in Schumanns romantische Klangwelt, die scheinbar alle menschlichen Emotionen in sich trägt.​ Eine tief lotende Darstellung, die sehr von der Schumann-Begeisterung des Cellisten lebt, der auch den Booklet-Text schrieb.​"