Josef Suk: Symphonie E-dur op.14
Symphonie E-dur op.14
Mit weiteren Werken von:
Antonin Dvorak (1841-1904)
Mitwirkende:
Prague Symphony Orchestra, Tomas Netopil
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- +Dvorak: In Nature's Realm; Carnival
- Künstler: Prague Symphony Orchestra, Tomas Netopil
- Label: Supraphon, DDD, 2007
- Bestellnummer: 3774799
- Erscheinungstermin: 25.4.2008
Böhmische Musiktradition
Die Konzert-Ouvertüren »In der Natur« und »Karneval« bedürfen keiner besonderen Vorstellung, aber die Sinfonie in E-Dur, die Josef Suk Ende des 19. Jahrhunderts komponierte und die eine erstaunliche künstlerische Reife und Unabhängigkeit zeigt, wurde bisher sowohl im Konzertsaal wie im Aufnahmestudio sträflich vernachlässigt.
Dvorak's overtures In Nature's Realm and Carnival, completed in 1892, need no introduction. The case, however, is different with Symphony in E major, which Suk began composing a mere five years later, as Dvorak's pupil. The symphony is - notwithstanding the composer's tender age, 23 - a manifestation of absolute artistic maturity and independence. In 1899 the work was premiered by the Czech Philharmonic Orchestra conducted by Oskar Nedbal. Following the older recording by Vaclav Neumann with the Czech Philharmonic Orchestra, this unjustly overlooked work is brought to listeners by the Prague Symphony Orchestra under the baton of the promising young Czech conductor Tomas Netopil. A pupil of Jiri Belohlavek and holder of a number of awards (victory in the Georg Solti Conductors' Competition in Frankfurt, the main prize of the American Academy of Conducting in Aspen in 2003), Netopil already has a wealth of international experience behind him (Cleveland Symphony Orchestra, London Philharmonic Orchestra, NHK Symphony Orchestra Tokyo, Volksoper Wien, Teatro Regio Torino, etc.). The youthful Netopil has a firm grasp of Suk's juvenility, however, he strips away the silt of the commonplace even from notoriously famous Dvorak works, affording them a fresh and novel sound.
Youth and maturity complement each other in Suk's Symphony and Tomas Netopil's interpretational conception.
Die Konzert-Ouvertüren »In der Natur« und »Karneval« bedürfen keiner besonderen Vorstellung, aber die Sinfonie in E-Dur, die Josef Suk Ende des 19. Jahrhunderts komponierte und die eine erstaunliche künstlerische Reife und Unabhängigkeit zeigt, wurde bisher sowohl im Konzertsaal wie im Aufnahmestudio sträflich vernachlässigt.
Product Information:
Dvorak's overtures In Nature's Realm and Carnival, completed in 1892, need no introduction. The case, however, is different with Symphony in E major, which Suk began composing a mere five years later, as Dvorak's pupil. The symphony is - notwithstanding the composer's tender age, 23 - a manifestation of absolute artistic maturity and independence. In 1899 the work was premiered by the Czech Philharmonic Orchestra conducted by Oskar Nedbal. Following the older recording by Vaclav Neumann with the Czech Philharmonic Orchestra, this unjustly overlooked work is brought to listeners by the Prague Symphony Orchestra under the baton of the promising young Czech conductor Tomas Netopil. A pupil of Jiri Belohlavek and holder of a number of awards (victory in the Georg Solti Conductors' Competition in Frankfurt, the main prize of the American Academy of Conducting in Aspen in 2003), Netopil already has a wealth of international experience behind him (Cleveland Symphony Orchestra, London Philharmonic Orchestra, NHK Symphony Orchestra Tokyo, Volksoper Wien, Teatro Regio Torino, etc.). The youthful Netopil has a firm grasp of Suk's juvenility, however, he strips away the silt of the commonplace even from notoriously famous Dvorak works, affording them a fresh and novel sound.
Youth and maturity complement each other in Suk's Symphony and Tomas Netopil's interpretational conception.
Rezensionen
FonoForum 07/08: "Ein kapitales Werk, in jedem Takt der böhmischen Musiktradition verpflichtet, aber gleichzeitig mit durchaus eigenständigen Zügen. Vor allem die Sorgfalt im Umgang mit der Instrumentation nimmt für das Werk ein."- Tracklisting
Disk 1 von 1 (CD)
- 1 1. Allegro, ma non troppo
- 2 2. Adagio
- 3 3. Allegro vivace
- 4 4. Allegro
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