Heitor Villa-Lobos: Choros Vol.2 (CD)

Heitor Villa-Lobos (1887-1959)

Choros Vol.2

Fabio Zanon, Ilian Rechtman, Dante Yenque, Samuel Hamzem, Linda Bustani, Ozeas Arantes, Darrin Coleman, John Neschling

CD

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

Heitor Villa-Lobos (1887-1959): Choros Vol.2, CD

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EUR 19,99*

Verlängerter Rückgabezeitraum bis 31. Januar 2025

Alle zur Rückgabe berechtigten Produkte, die zwischen dem 1. bis 31. Dezember 2024 gekauft wurden, können bis zum 31. Januar 2025 zurückgegeben werden.

Versandkosten

Choros Nr. 6 & 9 für Orchester; Choros Nr. 1 für Gitarre; Choros Nr. 8 für großes Orchester & 2 Klaviere; Choros Nr. 4 für 3 Hörner & Posaune

Künstler: Fabio Zanon, Linda Bustani, Ilan Rechtman, Dante Yenque, Ozeas Arantes, Samuel Hamzem, Darrin Coleman, Sao Paolo SO, John Neschling
Label: BIS, DDD, 2004
Bestellnummer: 9381533
Erscheinungstermin: 27.5.2008

After a highly acclaimed 3-disc traversal of Villa-Lobos’ 9 Bachianas Brasileiras, the São Paulo Symphony Orchestra (OSESP) takes on the Choros by the same composer, in a cycle supervised by the orchestra’s artistic director John Neschling. In the Choros, composed between 1920 and 1929, Villa-Lobos’ point of departure is the Brazilian popular genre called choro, and he described his Choros as a synthesis of ‘the different modalities of indigenous and popular Brazilian music’, adding that the word ‘serenade’ gives an approximate idea of what Choros is. This vagueness was probably intentional – Villa-Lobos wanted to catch the improvisatory aspect of the genre, and as a result the works are very varied. The cycle includes brief solo pieces, chamber settings and full-length works for large symphony orchestra, with or without solo instruments or choir, as exemplified by the first volume of this series, released in February 2008. This received a Diapason d’or in the French magazine Diapason, and a review that described the performance of No. 7 – for seven players – ‘a lesson in agogic freedom’ and the monumental No. 11 – for piano and orchestra – ’a master-piece that opens up onto an almost infinite acoustic universe’, applauding the ’extraordinary interpretation’ by Cristina Ortiz and the orchestra. Volume 2 includes the first of the Choros, for solo guitar, as well as No. 4 for three horns & trombone, but also three large-scale orchestral works, adding further facets to this fascinating and kaleidoscopic cycle.