Franz Danzi: Bläserquintette op.56 Nr.1-3,op.67 Nr.1-3,op.68 Nr.1-3
Bläserquintette op.56 Nr.1-3,op.67 Nr.1-3,op.68 Nr.1-3
3
CDs
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- +Quintette für Klavier & Bläser opp. 41, 53, 54
- Künstler: Love Derwinger, Philharmonisches Bläserquintett Berlin
- Label: BIS, DDD, 1991/1992
- Bestellnummer: 1345361
- Erscheinungstermin: 18.9.2006
Anton Rejcha and the slightly younger Franz Danzi (1763-1826).
Between them they provided this new combination with a large repertoire (Rejcha alone composed no less than 24 quintets) and set the mould for composers to come. Thereby they also came to contribute significantly to the development of a new type of wind playing without which the classical / romantic symphony orchestra sound would be unimaginable. Danzi trained as a cellist and composer – by his contemporaries he was held in high regard for his successful operas, instrumental concertos and sacred works – but it was probably his experiences as a conductor, chiefly at the Karlsruhe court theatre, which formed the basis of his fine understanding of wind instruments and of ensemble playing. This was recognised at the original release of these discs, when the Gramophone's reviewer wrote that the music 'has great charm and polish, enhanced by the persuasive craftsmanship of its scoring.' But even more than the music – described in Fanfare as pieces which 'could turn Mozart-lovers into lovers of Mozart-loving Danzi' – it was the performances by the Berlin Philharmonic Wind Quintet and (in the three piano quintets) Love Derwinger that moved the reviewers to use superlatives. The French magazine Repértoire claimed that the interpretations were 'luminous: alternately flowing and spirited, dreamy and boisterous; of an exhilarating virtuosity, tinged with poetry and in full gala dress.' Here, then, is a great opportunity to discover the birth of a genre in the best possible company!
Between them they provided this new combination with a large repertoire (Rejcha alone composed no less than 24 quintets) and set the mould for composers to come. Thereby they also came to contribute significantly to the development of a new type of wind playing without which the classical / romantic symphony orchestra sound would be unimaginable. Danzi trained as a cellist and composer – by his contemporaries he was held in high regard for his successful operas, instrumental concertos and sacred works – but it was probably his experiences as a conductor, chiefly at the Karlsruhe court theatre, which formed the basis of his fine understanding of wind instruments and of ensemble playing. This was recognised at the original release of these discs, when the Gramophone's reviewer wrote that the music 'has great charm and polish, enhanced by the persuasive craftsmanship of its scoring.' But even more than the music – described in Fanfare as pieces which 'could turn Mozart-lovers into lovers of Mozart-loving Danzi' – it was the performances by the Berlin Philharmonic Wind Quintet and (in the three piano quintets) Love Derwinger that moved the reviewers to use superlatives. The French magazine Repértoire claimed that the interpretations were 'luminous: alternately flowing and spirited, dreamy and boisterous; of an exhilarating virtuosity, tinged with poetry and in full gala dress.' Here, then, is a great opportunity to discover the birth of a genre in the best possible company!
- Tracklisting
- Details
- Mitwirkende
Disk 1 von 3 (CD)
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott B-Dur op. 56 Nr. 1
- 1 1. Allegretto
- 2 2. Andante con moto
- 3 3. Menuetto: Allegretto
- 4 4. Allegretto
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott g-moll op. 56 Nr. 2
- 5 1. Allegretto
- 6 2. Andante
- 7 3. Menuetto: Allegretto
- 8 4. Allegretto
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott F-Dur op. 56 Nr. 3
- 9 1. Andante sostenuto - Allegro
- 10 2. Andante
- 11 3. Menuetto: Allegretto
- 12 4. Allegretto
Quintett für Klavier, Oboe, Klarinette, Horn und Fagott d-moll op. 41
- 13 1. Larghetto - Allegro
- 14 2. Andante sostenuto
- 15 3. Allegretto
Disk 2 von 3 (CD)
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott G-Dur op. 67 Nr. 1
- 1 1. Allegretto
- 2 2. Andante con moto
- 3 3. Minuetto: Allegretto
- 4 4. Allegretto moderato
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott e-moll op. 67 Nr. 2
- 5 1. Allegro vivo
- 6 2. Larghetto
- 7 3. Minuetto: Allegretto
- 8 4. Allegretto
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott Es-Dur op. 67 Nr. 3
- 9 1. Larghetto - Allegro moderato
- 10 2. Andante moderato
- 11 3. Minuetto: Allegro
- 12 4. Allegretto
Quintett für Klavier, Oboe, Klarinette, Flöte und Fagott F-Dur op. 53
- 13 1. Allegro
- 14 2. Andante
- 15 3. Polacca
Disk 3 von 3 (CD)
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott A-Dur op. 68 Nr. 1
- 1 1. Allegro moderato
- 2 2. Larghetto
- 3 3. Minuetto - Trio: Allegretto
- 4 4. Polacca
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott F-Dur op. 68 Nr. 2
- 5 1. Allegro
- 6 2. Andante quasi allegretto
- 7 3. Minuetto - Trio: Allegretto
- 8 4. Allegretto
Quintett für Flöte, Oboe, Klarinette, Horn und Fagott d-moll op. 68 Nr. 3
- 9 1. Andante sostenuto - Allegretto
- 10 2. Andante
- 11 3. Minuetto - Trio: Allegretto
- 12 4. Allegro assai
Quintett für Klavier, Oboe, Klarinette, Flöte und Fagott D-Dur op. 54
- 13 1. Larghetto - Allegretto
- 14 2. Andante con moto
- 15 3. Allegro brilliante