Thomas Bernhard: Of Seven Fir Trees and the Snow, Gebunden
Of Seven Fir Trees and the Snow
- Early Stories
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- Übersetzung:
- Douglas Robertson
- Verlag:
- Seagull Books, 11/2025
- Einband:
- Gebunden
- Sprache:
- Englisch
- ISBN-13:
- 9781803095455
- Artikelnummer:
- 12217332
- Umfang:
- 200 Seiten
- Gewicht:
- 454 g
- Erscheinungstermin:
- 5.11.2025
- Hinweis
-
Achtung: Artikel ist nicht in deutscher Sprache!
Klappentext
These newly translated stories chart the making of a literary provocateur, one experiment and ethical dilemma at a time.
Before Thomas Bernhard became one of the most provocative voices in modern literature, he was a young writer testing the limits of form and subject. Of Seven Fir Trees and the Snow offers an unprecedented look at his evolution, from his earliest published work at nineteen to the emergence of his unmistakable voice. Translated into English for the first time, in these stories, Bernhard moves from stark naturalism to fairy-tale simplicity to the eerie, stripped-down surrealism reminiscent of science fiction. At the same time, he grapples with the fundamental ethical questions that would define his career: how does one navigate personal autonomy in a world fractured by the upheavals of the twentieth century?
Selected and arranged in chronological order by Douglas Robertson, this collection traces Bernhard's transformation from an ambitious chronicler of Austrian rural life to a writer in dialogue with the broader currents of world literature. A rare glimpse into the making of a literary icon, this volume is essential reading for both longtime admirers and those discovering Bernhard's singular genius for the first time.
Biografie (Thomas Bernhard)
Born in 1931, the illegitimate child of an abandoned mother, Thomas Bernhard was brought up by an eccentric grandmother and an adored grandfather. Tormented as a young student in rightwing, Catholic Austria, Bernhard ran away from home aged fifteen. At eighteen, he contracted pneumonia. Placed in a hospital ward for the old and terminally ill, he observed with unflinching acuity protracted suffering and death. From the age of 21, everything he wrote was shaped by the urgency of a dying man's testament - his witness, the quintessence of his life and knowledge - and where this account of his life ends, his art begins.