Lizz Wright: Dreaming Wide Awake
Dreaming Wide Awake
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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- Label: Verve, 2004
- Erscheinungstermin: 14.6.2005
Album digital in HD (Werbung)
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Rund um den Globus beeindruckte im Jahre 2003 wohl kein anderes Debütalbum die Jazzkritiker und -hörer so sehr wie Lizz Wrights »Salt«. »Eine Stimme wie Samt und Seide - eine Stimme aber auch, die den Zuhörer nicht nur gefällig umschmeichelt, sondern ihn fordert, ihm unmerklich unter die Haut kriecht in ihrer unglaublichen Klarheit, ihrer unkomplizierten Eleganz und verblüffenden Rundheit, ja Reife«, schrieb Matthias Inhoffen seinerzeit in Stereoplay. 2022 legt die mittlerweile 25jährige mit »Dreaming Wide Awake« ihr zweites Verve-Album vor.
On her 2003 debut, Salt, Lizz Wright was hailed by People Magazine as “one of the year's most promising new voices,” a “smoky, simmering” talent, according to USA Today. Wright's new album Dreaming WideAwake, released June 14 on Verve Forecast, finds that promise fulfilled.
Wright recorded ‘Dreaming’ at Allaire Studios in Woodstock, NY, with Craig Street (Cassandra Wilson, k. d. lang) producing, and a deep well of New York talent contributing: guitarist Bill Frisell, Grammy-winning songwriter Jesse Harris, Mark Anthony Thompson (aka Chocolate Genius), Ollabelle organist Glenn Patscha, and Toshi Reagon among others.
Three of the eleven songs on ‘Dreaming’ were written or co-written by Wright, proving that her “rapidly burgeoning writing talent” (LA Times) has now fully blossomed. From the deep-in-the-pocket, earthy soul of “Hit The Ground” (co-written with Jesse Harris and Toshi Reagon), to the buoyant Fender Rhodes groove of “Trouble,” or the hazy, aching title track, each of Wright's original compositions casts an unforgettable spell.
Elsewhere she lends her “pitch-perfect, full-bodied voice” (NY Times) to a gorgeous, melancholic reading of Joe Henry's “Stop” (first popularized by Madonna on her Music album); turns Neil Young's “Old Man,” into a dark cautionary tale; strips Ella Jenkins' “Wake Up Little Sparrow” down to a spare, zen-folk meditation; imparts the Aquarian anthem “Get Together” first popularized by the Youngbloods, with a new urgency; and recasts the Ric Marlow / Bobby Scott tune “A Taste of Honey” - best known as an early Beatles hit - as a haunting delta blues.
Lizz Wright was born in the small town of Hahira, GA. The second of three children, her father was a Holiness Church pastor, her mother the church organist. Wright grew up traveling the south, singing with her parents and siblings. She first came to national attention in 2002, when she played a series of tribute shows to the great Billie Holiday. Reviewing one of those shows, The LA Times proclaimed, with only a hint of hyperbole, “she walked on stage at the Hollywood Bowl a virtual unknown. Fifteen minutes later, she walked off a star.”
Since then, Wright has toured the world growing her audience and meeting new fans. Take a look at her tour schedule and don't miss a chance to see Lizz live....
On her 2003 debut, Salt, Lizz Wright was hailed by People Magazine as “one of the year's most promising new voices,” a “smoky, simmering” talent, according to USA Today. Wright's new album Dreaming WideAwake, released June 14 on Verve Forecast, finds that promise fulfilled.
Wright recorded ‘Dreaming’ at Allaire Studios in Woodstock, NY, with Craig Street (Cassandra Wilson, k. d. lang) producing, and a deep well of New York talent contributing: guitarist Bill Frisell, Grammy-winning songwriter Jesse Harris, Mark Anthony Thompson (aka Chocolate Genius), Ollabelle organist Glenn Patscha, and Toshi Reagon among others.
Three of the eleven songs on ‘Dreaming’ were written or co-written by Wright, proving that her “rapidly burgeoning writing talent” (LA Times) has now fully blossomed. From the deep-in-the-pocket, earthy soul of “Hit The Ground” (co-written with Jesse Harris and Toshi Reagon), to the buoyant Fender Rhodes groove of “Trouble,” or the hazy, aching title track, each of Wright's original compositions casts an unforgettable spell.
Elsewhere she lends her “pitch-perfect, full-bodied voice” (NY Times) to a gorgeous, melancholic reading of Joe Henry's “Stop” (first popularized by Madonna on her Music album); turns Neil Young's “Old Man,” into a dark cautionary tale; strips Ella Jenkins' “Wake Up Little Sparrow” down to a spare, zen-folk meditation; imparts the Aquarian anthem “Get Together” first popularized by the Youngbloods, with a new urgency; and recasts the Ric Marlow / Bobby Scott tune “A Taste of Honey” - best known as an early Beatles hit - as a haunting delta blues.
Lizz Wright was born in the small town of Hahira, GA. The second of three children, her father was a Holiness Church pastor, her mother the church organist. Wright grew up traveling the south, singing with her parents and siblings. She first came to national attention in 2002, when she played a series of tribute shows to the great Billie Holiday. Reviewing one of those shows, The LA Times proclaimed, with only a hint of hyperbole, “she walked on stage at the Hollywood Bowl a virtual unknown. Fifteen minutes later, she walked off a star.”
Since then, Wright has toured the world growing her audience and meeting new fans. Take a look at her tour schedule and don't miss a chance to see Lizz live....
- Tracklisting
Disk 1 von 1 (CD)
- 1 A taste of honey
- 2 Stop
- 3 Hit the ground
- 4 When I close my eyes
- 5 I'm confessin'
- 6 Old man
- 7 wake up, little sparrow
- 8 Chasing strange
- 9 Get together
- 10 Trouble
- 11 Dreaming wide awake
- 12 Without you
