Hard To Handle - Black America Sings Otis Redding
Hard To Handle - Black America Sings Otis Redding
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
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EUR 16,99**
EUR 15,99*
- Label: Ace
- Bestellnummer: 3024917
- Erscheinungstermin: 17.9.2012
Otis Redding gilt zweifellos als einer der einflussreichsten Soul-Sänger der 1960er Jahre.
Songs wie ‘That’s How Strong My Love Is’ (1965), ‘I’ve Been Loving You Too Long’ (1965), ‘Respect’ (1965), ‘I Can’t Turn You Loose’/’Just One More Day’ (1965), ‘Satisfaction’ (1966), ‘My Lover’s Prayer’ (1966), ‘Fa-Fa-Fa-Fa-Fa (Sad Song)’ (1966), ‘Try A Little Tenderness’ (1966), ‘Tramp‘ (1967), ‘Knock On Wood‘ (1967), ‘Shake‘ (1967), ‘The Glory Of Love‘ (1967) sind unverwüstliche Soul-Evergreens – vor allem wenn man mal bedenkt, dass der begnadete Sänger gerade mal 5 Jahre erfolgreich im Business war, bis er 1967 bei einem Flugzeugunglück ums Leben kam.
Die erfolgreiche Serie ‘Black America Sings…’ geht also nach Bob Dylan und den Beatles in eine neue Runde, und hat etliche große Namen an Bord die hier Redding-Songs zum besten geben: Percy Sledge, Aretha Franklin, Lou Rawls, Arthur Conley, Etta James, James Carr, Clarence Carter, Bettye Swann sind auf der 25 Track-Compilation enthalten. 6 davon sind erstmalig auf CD, 3 sogar erstmalig auf Tonträger. Natürlich mit erstklassigen Linernotes und vielen Archiv-Fotos.
His achievements as a singer may cast a giant shadow over everything else he achieved. Anyone with a passing interest in music should be able to tell you that Otis Redding wrote ‘Respect’ and ‘Dock Of The Bay’ – that’s a given. But the vast majority of his many other singles had an Otis composition or co-write on at least one side, while almost all of the albums released during his lifetime featured additional Otis Redding copyrights. A prolific tunesmith and savvy A&R man, Otis also found time to write songs specifically for Arthur Conley and others whose careers he hoped to boost.
Otis wrote a staggering number of quality songs in a very short period of time. In fact the more Otis wrote, the more he wanted to write: in the few weeks leading up to his death, he went into Stax’s McLemore Avenue studio and cut around 30 new songs, leaving behind enough material for a trio of posthumously released albums which, for many fans, are better than many of those that came out while he was still alive.
There’s no way of telling how Otis would have progressed as a songwriter had his plane not crashed in December 1967, but the unreleased songs he left behind give a pretty good indication that he was moving in interesting and special directions. The quality of many of those posthumously issued compositions was quickly recognised by his peers. Fine versions of several of them, by Buddy Miles, Etta James, Patti Drew, Percy Sledge and others, appear in “Hard To Handle”, the latest volume in Ace’s occasional “Black America Sings” series.
As befits one of the greatest purveyors of a soul ballad, many of the best songs here allow their singers to tug at the heartstrings in the way Otis’ own versions still do. A significant number are performed here by women, who seemed to gravitate to Otis’ catalogue in the wake of Aretha’s blockbuster success with her revival of ‘Respect’.
But as well as the ballads there are numerous great examples of Otis’ up-tempo work, exemplified by his protégé Arthur Conley’s romp through ‘Wholesale Love’ and an alternate take of Otis’ own Northern Soul floor-filler ‘Loving By the Pound’ (written for Bettye Lavette, apparently!). There are more previously unissued treats here from Mitty Collier and Arthur Conley, as well as several sides receiving their CD debut.
Otis’ skills as a songwriter were patently second to none and it’s hoped that “Hard To Handle” will increase perception of just how important an all-rounder he was, and how long his career as a singer-songwriter might have sustained if the Grim Reaper hadn’t had other plans.
By Tony Rounce
(acerecords. co. uk)
,,Zwangsläufig besteht HARD TO HANDLE aus 14 Treffern und 11 Volltreffern, wobei natürlich Reddings berühmteste Songs wie “These Arms Of Mine”, “I’ve Been Loving You Too Long”, “Hard To Handle”, “Fa-Fa-Fa- Fa-Fa-Fa (Sad Song)”, “I’ve Got Songs To Remember”, “Respect” und “Dock Of The Bay” in würdevollen Top-Versionen von Albert Washington, William Bell, Patti Drew, Lou Rawls, Percy Sledge, Aretha Franklin und den Staple Singers vertreten sind.
Dass auch drei unveröffentlichte Tracks dabei sind, darunter einer von Redding selbst (“Loving By The Pound”), macht den edlen Sampler noch wertvoller." (Good Times, Dezember / Januar 2012)
Songs wie ‘That’s How Strong My Love Is’ (1965), ‘I’ve Been Loving You Too Long’ (1965), ‘Respect’ (1965), ‘I Can’t Turn You Loose’/’Just One More Day’ (1965), ‘Satisfaction’ (1966), ‘My Lover’s Prayer’ (1966), ‘Fa-Fa-Fa-Fa-Fa (Sad Song)’ (1966), ‘Try A Little Tenderness’ (1966), ‘Tramp‘ (1967), ‘Knock On Wood‘ (1967), ‘Shake‘ (1967), ‘The Glory Of Love‘ (1967) sind unverwüstliche Soul-Evergreens – vor allem wenn man mal bedenkt, dass der begnadete Sänger gerade mal 5 Jahre erfolgreich im Business war, bis er 1967 bei einem Flugzeugunglück ums Leben kam.
Die erfolgreiche Serie ‘Black America Sings…’ geht also nach Bob Dylan und den Beatles in eine neue Runde, und hat etliche große Namen an Bord die hier Redding-Songs zum besten geben: Percy Sledge, Aretha Franklin, Lou Rawls, Arthur Conley, Etta James, James Carr, Clarence Carter, Bettye Swann sind auf der 25 Track-Compilation enthalten. 6 davon sind erstmalig auf CD, 3 sogar erstmalig auf Tonträger. Natürlich mit erstklassigen Linernotes und vielen Archiv-Fotos.
Product Information
His achievements as a singer may cast a giant shadow over everything else he achieved. Anyone with a passing interest in music should be able to tell you that Otis Redding wrote ‘Respect’ and ‘Dock Of The Bay’ – that’s a given. But the vast majority of his many other singles had an Otis composition or co-write on at least one side, while almost all of the albums released during his lifetime featured additional Otis Redding copyrights. A prolific tunesmith and savvy A&R man, Otis also found time to write songs specifically for Arthur Conley and others whose careers he hoped to boost.
Otis wrote a staggering number of quality songs in a very short period of time. In fact the more Otis wrote, the more he wanted to write: in the few weeks leading up to his death, he went into Stax’s McLemore Avenue studio and cut around 30 new songs, leaving behind enough material for a trio of posthumously released albums which, for many fans, are better than many of those that came out while he was still alive.
There’s no way of telling how Otis would have progressed as a songwriter had his plane not crashed in December 1967, but the unreleased songs he left behind give a pretty good indication that he was moving in interesting and special directions. The quality of many of those posthumously issued compositions was quickly recognised by his peers. Fine versions of several of them, by Buddy Miles, Etta James, Patti Drew, Percy Sledge and others, appear in “Hard To Handle”, the latest volume in Ace’s occasional “Black America Sings” series.
As befits one of the greatest purveyors of a soul ballad, many of the best songs here allow their singers to tug at the heartstrings in the way Otis’ own versions still do. A significant number are performed here by women, who seemed to gravitate to Otis’ catalogue in the wake of Aretha’s blockbuster success with her revival of ‘Respect’.
But as well as the ballads there are numerous great examples of Otis’ up-tempo work, exemplified by his protégé Arthur Conley’s romp through ‘Wholesale Love’ and an alternate take of Otis’ own Northern Soul floor-filler ‘Loving By the Pound’ (written for Bettye Lavette, apparently!). There are more previously unissued treats here from Mitty Collier and Arthur Conley, as well as several sides receiving their CD debut.
Otis’ skills as a songwriter were patently second to none and it’s hoped that “Hard To Handle” will increase perception of just how important an all-rounder he was, and how long his career as a singer-songwriter might have sustained if the Grim Reaper hadn’t had other plans.
By Tony Rounce
(acerecords. co. uk)
Rezensionen
,,Zwangsläufig besteht HARD TO HANDLE aus 14 Treffern und 11 Volltreffern, wobei natürlich Reddings berühmteste Songs wie “These Arms Of Mine”, “I’ve Been Loving You Too Long”, “Hard To Handle”, “Fa-Fa-Fa- Fa-Fa-Fa (Sad Song)”, “I’ve Got Songs To Remember”, “Respect” und “Dock Of The Bay” in würdevollen Top-Versionen von Albert Washington, William Bell, Patti Drew, Lou Rawls, Percy Sledge, Aretha Franklin und den Staple Singers vertreten sind.
Dass auch drei unveröffentlichte Tracks dabei sind, darunter einer von Redding selbst (“Loving By The Pound”), macht den edlen Sampler noch wertvoller." (Good Times, Dezember / Januar 2012)
- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 Albert Washington & The Kings: These arms of mine
- 2 Judy Clay: Sister pitiful
- 3 William Bell: I'Ve Been Loving You Too Long (To Stop Now)
- 4 Maxine Brown: Baby cakes
- 5 King Floyd: Think about it
- 6 Mickey Murray: Shout Bamalama
- 7 Irma Thomas: Security
- 8 Percy Sledge: I'v got dreams to remember
- 9 Buddy Miles: Give away none of my love
- 10 Mitty Collier: I'm missing you
- 11 James Carr: I can't turn too loose
- 12 Bettye Swann: Chanied and bound
- 13 Clarnce Carter: Just one more day
- 14 Arthur Conley: Wholesale love
- 15 Tina Britt: Hawg for you
- 16 Otis Redding: Loving by the pound (Tk 2)
- 17 Patti Drew: Hard to handle
- 18 Arthur Conley: A year, a month and a day
- 19 Lou Rawls: Fa-fa-fa-fa-fa-fa (Sad song)
- 20 Jackie Hairstone: Monkey on my back
- 21 Keep pushing me
- 22 Donald Height: Good to me
- 23 Aretha Franklin: Respect
- 24 The Staple Singers: (Sittin' On) The Dock Of The Bay
- 25 Etta James: I got the will