Behind Closed Doors: Where Country Meets Soul
Behind Closed Doors: Where Country Meets Soul
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- Label: KentSoul, 1965-93
- Bestellnummer: 2734192
- Erscheinungstermin: 18.6.2012
- Gesamtverkaufsrang: 35329
- Verkaufsrang in CDs: 17513
Das bahnbrechende Ray Charles-Album ‘Modern Sounds In Country And Western Music’ feiert in diesem Jahr sein 50. Jubiläum, und wurde bereits in diversen Radio- und Zeitungsfeuilletons als Keimzelle der Verschmelzung
von Country und Soul-Musik gewürdigt.
Der neueste Sampler der renommierten Firma Kent Soul hält 23 ausgesuchte Tracks bereit, in denen sich Soul-Künstler sehr gelungen an Country-Songs gewagt haben. Candi Staton covert Patsy Cline, James Carr nimmt sich einem Track Mel Tillis‘ an, Millie Jackson singt Merle Haggard, oder auch Al Green’s Tribut an Hank Williams. Weiterhin mit Arthur Alexander, Brook Benton, Aaron Neville, Joe Simon u. v.a.
The line that separates the genres of country and soul music has never been a particularly thick one and over the decades there has been a healthy swapping of repertoire between the genres. Jimmie Rodgers, country music’s first superstar, established himself by putting a hillbilly spin on delta blues – and that was back in the late 1920s. Most 60s soul singers who grew up in the segregated American south in the 30s and 40s probably heard more country music on the radio than they did blues or jazz, as there was little to no radio programming devoted to music for black people. It’s therefore no surprise to find that there were so many classic adaptations of great country songs during the golden age of soul music.
“Behind Closed Doors: Where Country Meets Soul” brings together 24 supreme spins on songs that were first recorded – usually successfully – by country artists. It’s not the first such compilation to do so but, if I say so myself, it’s the best one to date. As one who regards both genres to be of equal importance, and who collects both soul and country 45s, I can say with some certainly that nobody is going to be disappointed with the tracks in this top-notch compilation. (For those who might wish to check out the country originals after hearing them sung with soul, I have listed the first version of each song in the track-by-track annotations.)
Where country meets soul can be a pessimistic and dark place. Songs such as ‘The Grand Tour’ or ‘Life Turned Her That Way’ are going to have a downbeat outlook whoever is singing them; they are as tailor-made for Aaron Neville and James Carr as they are for those who originally sang them for country audiences (George Jones and Little Jimmy Dickens), while Percy Sledge sings ‘Take Time To Know Her’ with the experience of someone who sounds like he lived every minute of its bleak narrative and provides this collection with an undisputed highlight.
The place can also be optimistic and light, as Joe Simon’s wonderful version of the early Waylon Jennings hit ‘Yours, Love’ and Little Milton’s romping revamp of Charlie Rich’s ‘Behind Closed Doors’ show. Somewhere in the middle there’s Moses & Joshua Dillard’s tear ’em up take on ‘My Elusive Dreams’, a song usually sung in country circles in the maudlin manner of the original version by its writer Claude “Curly” Putnam.
There are still a few people out there who have not yet come to regard soul and country as musical equals. Hopefully “Behind Closed Doors: Where Country Meets Soul” will help to right that wrong and lead to further understanding of why so many country songs have been turned into soul classics down the years.
By Tony Rounce
(acerecords. co. uk)
,,Ein musikalisch hochwertiger, zudem fabelhaft aufgemachter Sampler des britischen Qualitätslabels Kent, der gleichermaßen lehrreich und unterhaltsam ist." (Good Times, Oktober / November 2012)
Der neueste Sampler der renommierten Firma Kent Soul hält 23 ausgesuchte Tracks bereit, in denen sich Soul-Künstler sehr gelungen an Country-Songs gewagt haben. Candi Staton covert Patsy Cline, James Carr nimmt sich einem Track Mel Tillis‘ an, Millie Jackson singt Merle Haggard, oder auch Al Green’s Tribut an Hank Williams. Weiterhin mit Arthur Alexander, Brook Benton, Aaron Neville, Joe Simon u. v.a.
Product Information
The line that separates the genres of country and soul music has never been a particularly thick one and over the decades there has been a healthy swapping of repertoire between the genres. Jimmie Rodgers, country music’s first superstar, established himself by putting a hillbilly spin on delta blues – and that was back in the late 1920s. Most 60s soul singers who grew up in the segregated American south in the 30s and 40s probably heard more country music on the radio than they did blues or jazz, as there was little to no radio programming devoted to music for black people. It’s therefore no surprise to find that there were so many classic adaptations of great country songs during the golden age of soul music.
“Behind Closed Doors: Where Country Meets Soul” brings together 24 supreme spins on songs that were first recorded – usually successfully – by country artists. It’s not the first such compilation to do so but, if I say so myself, it’s the best one to date. As one who regards both genres to be of equal importance, and who collects both soul and country 45s, I can say with some certainly that nobody is going to be disappointed with the tracks in this top-notch compilation. (For those who might wish to check out the country originals after hearing them sung with soul, I have listed the first version of each song in the track-by-track annotations.)
Where country meets soul can be a pessimistic and dark place. Songs such as ‘The Grand Tour’ or ‘Life Turned Her That Way’ are going to have a downbeat outlook whoever is singing them; they are as tailor-made for Aaron Neville and James Carr as they are for those who originally sang them for country audiences (George Jones and Little Jimmy Dickens), while Percy Sledge sings ‘Take Time To Know Her’ with the experience of someone who sounds like he lived every minute of its bleak narrative and provides this collection with an undisputed highlight.
The place can also be optimistic and light, as Joe Simon’s wonderful version of the early Waylon Jennings hit ‘Yours, Love’ and Little Milton’s romping revamp of Charlie Rich’s ‘Behind Closed Doors’ show. Somewhere in the middle there’s Moses & Joshua Dillard’s tear ’em up take on ‘My Elusive Dreams’, a song usually sung in country circles in the maudlin manner of the original version by its writer Claude “Curly” Putnam.
There are still a few people out there who have not yet come to regard soul and country as musical equals. Hopefully “Behind Closed Doors: Where Country Meets Soul” will help to right that wrong and lead to further understanding of why so many country songs have been turned into soul classics down the years.
By Tony Rounce
(acerecords. co. uk)
Rezensionen
,,Ein musikalisch hochwertiger, zudem fabelhaft aufgemachter Sampler des britischen Qualitätslabels Kent, der gleichermaßen lehrreich und unterhaltsam ist." (Good Times, Oktober / November 2012)
- Tracklisting
Disk 1 von 1 (CD)
- 1 THE GRAND TOUR / Aaron Neville
- 2 HE'LL HAVE TO GO / Solomon Burke
- 3 TAKE TIME TO KNOW HER / Percy Sledge
- 4 I SAW ME / Esther Phillips
- 5 MY ELUSIVE DREAMS / Moses & Joshua Dillard
- 6 HANGIN' ON / Ann Peebles
- 7 MY SHOES KEEP WALKING BACK TO YOU / Bobby Sheen
- 8 WINGS UPON YOUR HORNS / Tami Lynn
- 9 BEFORE THE NEXT TEARDROP FALLS / The Limelites
- 10 I'M SO LONESOME I COULD CRY / Al Green
- 11 LIFE TURNED HER THAT WAY / James Carr
- 12 HE CALLED ME BABY / Candi Staton
- 13 THE CHOKIN' KIND / Z Z Hill
- 14 YOURS LOVE / Joe Simon
- 15 YOUR GOOD GIRL'S GONNA GO BAD / Cookie Jackson
- 16 DETROIT CITY / Arthur Alexander
- 17 GENTLE ON MY MIND / Tony Borders
- 18 DON'T TOUCH ME / Bettye Swann
- 19 SET ME FREE / Clarence Carter
- 20 BEHIND CLOSED DOORS / Little Milton
- 21 IF YOU'RE NOT BACK IN LOVE BY MONDAY (ALTERNATE VOCAL MIX) / Millie Jackson
- 22 SKIP A ROPE / Joe Tex
- 23 SHE EVEN WOKE ME UP TO SAY GOODBYE / Brook Benton