Jerry Granelli: The Jerry Granelli Trio Plays Vince Guaraldi And Mose Allison (CD)

Jerry Granelli: The Jerry Granelli Trio Plays Vince Guaraldi And Mose Allison

Jerry Granelli (1940-2021)

The Jerry Granelli Trio Plays Vince Guaraldi And Mose Allison

CD (Compact Disc)

Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.

Jerry Granelli (1940-2021): The Jerry Granelli Trio Plays Vince Guaraldi And Mose Allison, CD

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EUR 15,99*

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Label: RareNoise, 2019
Bestellnummer: 9882091
Erscheinungstermin: 26.6.2020

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EUR 26,99* Jerry Granelli (1940-2021): The Jerry Granelli Trio Plays Vince Guaraldi And Mose Allison LP

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Product Information

Over the course of a career spanning six decades, drummer Jerry Granelli has worked with many of the greatest artists across the full spectrum of jazz and beyond. On The Jerry Granelli Trio Plays Vince Guaraldi and Mose Allison, his rapturous new album for RareNoise, Granelli revisits two of his most indelible collaborations from the vantage point of the exploratory now.

The Jerry Granelli Trio Plays Vince Guaraldi and Mose Allison starts from the foundation of two singular composers: the elegant, lyrical pieces of pianist Vince Guaraldi, with whom Granelli played for three busy years early in his career - including the landmark Peanuts television specials; and the eccentric singer/pianist Mose Allison, whose wry twists on the blues Granelli had the pleasure of accompanying for nearly 40 years.

Never one to dwell on the past, Granelli has long eschewed tribute projects or reprises of past glories. Two factors combined to change his mind on this remarkable occasion: the joy of delving into these extraordinary compositions with a modern urgency untouched by nostalgia; and his collaborators, both of whom share his expansive approach: pianist Jamie Saft and bassist Bradley Christopher Jones.

Rezensionen

»... Granelli, Jamie Saft (Piano) und Bradley Christopher Jones (Bass) erliegen gottlob nicht der Versuchung, die Originale zu imitieren, sondern verpassen den Stücken ein Facelifting mit Hardbop, Blues und einer Prise Avantgarde. Elegant!« (Jazzthing, Juli/August 2020)