Mit über 40 Alben hat der vierfache Grammy-Preisträger Stanley Clarke den Status einer lebenden Legende erreicht. Er war und ist eine konstante Kraft in der amerikanischen Musik und festes Mitglied bei der Jazz-Fusion-Gruppe Return To Forever. In seiner 45-jährigen Karriere hat er mit Quincy Jones, Stan Getz, Art Blakey, Paul McCartney, Jeff Beck, Keith Richards, Aretha Franklin, Stevie Wonder, Chaka Khan, The Police, Herbie Hancock und vielen mehr zusammengearbeitet. Bekannt ist Stanley Clarke für seine intensive Geschicklichkeit und vollendeter Musikalität und ist ein echter Pionier im Bereich Jazz und Jazz-Fusion.
Stanley Clarke findet, dass »Up« sein bisher dynamischstes und rhythmischstes Album ist. Sein Signature-Bass sprüht vor Virtuosität und Technik, ebenso ist die Freude an der Aufnahme offensichtlich. Im Gegensatz zu seiner überwiegend akustischen Bassarbeit auf den letzten Alben enthält »Up« nahezu zu gleichen Teilen elektrischen und akustischen Bass.
Wie bei seinen letzten mit dem Grammy-Award ausgezeichneten Album sind die ehemaligen Bandkollegen Ruslan Sirota (Piano, Keyboards) und Schlagzeuger Ronald Bruner Jr., die mit ihm für sieben Jahre tourten, mit von der Partie.
Zusätzlich bietet »UP« ein großes Aufgebot an weiteren Gästen an: Die Gitarristen Joe Walsh, Jimmy Herring und Paul Jackson, Jr., die Schlagzeuger Stewart Copeland, Gerry Brown und John Robinson, die Keyboarder Greg Phillinganes und Phil Davis, Pianist Chick Corea, die Saxofonisten Kamasi Washington, Doug Webb und Dan Higgins, die Sänger Jessica Vautor, Natasha Agrama und Patrice Quinn, Trompeter Gary Grant und Posaunist Andy Martin an den Hörnern sowie Perkussionist Lenny Castro u. a.
Legendary bassist Stanley Clarke considers his upcoming Mack Avenue Records release, The Stanley Clarke Band’s UP, to be the most energetic, rhythmic and upbeat album that he has ever done - and with more than 40 solo albums under his belt, that’s saying quite a lot. Clarke’s signature bass virtuosity and technical acumen is present throughout, but the enjoyment he had in making this album is also apparent. Unlike his predominantly acoustic bass work on the last few albums, UP is almost equal parts electric and acoustic bass.
“My aim here was to make a record with my friends. Every single recording session was nothing but fun,” says Clarke. “Surrounding myself with people I enjoy being with made the sessions effortless. Everyone came prepared and ready to play. All were great musicians and they came to the studio to give everything they had.”
Much like his last Grammy® Award-winning album, Stanley Clarke Band, this new release features the inclusion of former bandmates pianist / keyboardist Ruslan Sirota and drummer Ronald Bruner, Jr., who toured with him for seven years and were Clarke’s co-Grammy Award winners for the Best Contemporary Jazz Album of 2011. Two of Clarke’s current touring band members, acoustic pianist Beka Gochiashvili and drummer Mike Mitchell, are also represented on the album. Both are quite young, in their teens, and talented way beyond their years.
Among these other friends Clarke invites to shine on UP are: guitarists Joe Walsh, Jimmy Herring and Paul Jackson, Jr.; drummers Stewart Copeland, Gerry Brown and John Robinson; keyboardist Greg Phillinganes; Phil Davis on synthesizer and keyboards; Chick Corea on acoustic piano; saxophonists Kamasi Washington, Doug Webb and Dan Higgins; vocalists Jessica Vautor, Natasha Agrama and Patrice Quinn; trumpeter Gary Grant and trombonist Andy Martin on horns; percussionist Lenny Castro; Nick Mancini on marimba; and the Harlem String Quartet with violinists Ilmar Gavilán and Melissa White, Jaime Amador on viola and cellist Matthew Zalkind.
The first track on the album, a song with a warm funky and bluesy feel that reminds Clarke of his grandfather, is “Pop Virgil,” featuring Michael Jackson’s session rhythm section: Robinson, Jackson, Jr. and Phillinganes. Clarke considers “Last Train To Sanity” one of the best pieces he has ever written and it is the only track on the album that deals with the music as a film composition. “I’m so glad that the Harlem String Quartet, who I’ve toured with a bit over the last year, was willing to be part of this recording,” says Clarke.
The title track “UP,” is the essence of the album’s sensibilities. “Drummer Stewart Copeland was on my mind with this song,” says Clarke. “His vibe is one of the most upbeat and positive that I know, and that consciousness carries throughout the song.” The bassist also pays homage to George Duke with “Brazilian Love Affair - Dedicated To George Duke,” one of his favorite compositions. A tremendous arrangement augmented by robust rhythms and a vigorous samba predominate the song.
As in previous recordings, Clarke unveils more bass compositions in UP that he has dubbed “Bass Folk Songs.” Clarke says, “They’re very specific compositions. I started writing them when I was much younger and have about 20 now. They are specifically written for a solo bass.” “Bass Folk Song #13: Mingus” is a homage to Charles Mingus done on acoustic bass. “Bass Folk Song #7: Tradition” evolved from thoughts on musicians Clarke played with early in his career including Horace Silver, Art Blakey, Joe Henderson and Stan Getz; ironically it’s an Alembic electric tenor bass solo. And “Bass Folk Song #14: Dance Of The Giant Hummingbird / Bass Song #15: Eleuthera Island” are two Bass Folk Songs put together for solo acoustic bass.
The collaboration is intuitive with former bandmates Sirota and Bruner, Jr. on “I Have Something To Tell You Tonight,” with Washington on sax creating a dreamy improvisational jam. “Trust - Dedicated To Nana” is a straight ahead jazz piece dedicated to Clarke’s daughter Nana (Natasha). It arose from a family discussion one evening, and though lyrics would seem appropriate to convey the conversation, here Clarke captures the feel and emotion of the exchange instrumentally. Ramping up the album’s ambiance again, Clarke and the musicians have fun with “Gotham City.” A fan of superheroes in films and comics since childhood, this is Clarke’s homage to the genre.
“I knew the idea of re-recording ‘School Days’ was potentially dangerous, but just because a song is good and deemed to be a classic doesn’t mean you can’t record it again,” Clarke states. The legendary Jimmy Herring does the dynamic guitar lead on this version and is joined by Gerry Brown, who was the original “School Days” drummer in 1975.
The album concludes with “La Canción de Sofia.” Written for Clarke’s wife Sofia, who is from Chile, this track is a live performance of an acoustic duet with Chick Corea recorded in 2013 at the Kitara Hall in Sapporo, Japan.
»... klettern die Songs ... die Fusion-Leiter rauf und runter und gehen ab. Bei dieser CD dreht man die Anlage auf.« (Stereo, Dezember 2014)
Last Train To Sanity
Brazilian Love Affair - Dedicated To George Duke
Bass Folk Song #13:Mingus
I Have Something To Tell You Tonight
Trust - Dedicated To Nana
Bass Folk Song #7: Tradition
Bass Folk Song #14:Dance Of The Giant Hummingbird/Bass Folk Song #15