Kurt Rosenwinkel: Deep Song
Deep Song
CD
CD (Compact Disc)
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- Label: Verve, 2005
- Erscheinungstermin: 1.3.2005
+ Joshua Redman, Brad Mehldau u.a.
Following a string of three acclaimed recordings for Verve Records that firmly established him as one of the most strikingly original new voices in jazz as both guitarist and composer (2000’s The Enemies of Energy, 2001’s The Next Step and 2003’s Heartcore), Kurt Rosenwinkel returns with an all-star outing that is perhaps his most luminous and accessible to date. Joined by his high-profile colleagues Brad Mehldau on piano and Joshua Redman on tenor sax, along with Larry Grenadier on bass and either Ali Jackson or longtime associate Jeff Ballard on drums, Rosenwinkel plumbs the depths of emotion and lyricism on Deep Song.
From dynamic new renditions of older compositions like the chops-busting “Synthetics” (from The Enemies of Energy) or the gentle and evocative “Use of Light” (from The Next Step) to hauntingly beautiful interpretations of the standard “If I Should Lose You” and the melancholy Billie Holiday vehicle “Deep Song, ”Rosenwinkel unleashes his typically cascading, sonorous guitar lines with newfound authority. “I feel like as a guitarist I really got to a place of expressive maturity on this record,” says the Philadelphia native, who currently resides in Zurich, Switzerland, “so I’m really happy about that.”
Also included in the 74-minute program are new or previously unissued Rosenwinkel originals like “Cake” (based on George Gershwin’s “Let Them Eat Cake”), “Gesture Lester” (an homage to his pianist father), “The Cloister,” “Brooklyn Sometimes” and “The Cross,” each rendered with masterful aplomb by Kurt and company. “The title of this album perfectly expresses where I’m coming from in my approach to jazz,” says the guitarist-composer-bandleader. “The music that I love always had that quality to it. From Billie Holiday to Sonny Rollins and John Coltrane, Ornette Coleman and Don Cherry, Miles Davis and Bill Evans...there’s always a deep sense of song to it. That’s a quality that I feel can be very lacking in today’s jazz that’s being made. But the music on this album was approached from those aesthetic values of deep song that we all share in the band. And that’s why I called the record Deep Song. Because that concept, that approach to music is the most basic, fundamental place from which I feel we’re all playing music.”
While Rosenwinkel had talked in the past about forming a band with Mehldau and Redman, all the pieces didn’t fall into place until last summer when they finally went out on a European tour in preparation for a studio recording. As Kurt explains, “We’ve all been close musical friends for over a decade and there’s always been an understanding and an appreciation for each other’s music. So when I was thinking of what to do next after Heartcore, I immediately thought of Brad and Josh. These guys, of course, are leaders of their own bands and have very busy schedules, but it just so happened that neither of them was touring this last summer. It turned out to be the perfect time to do what we had always talked about doing. So we all got together and had a great time on the tour, and then making the record was a deep pleasure.”
While Mehldau and Rosenwinkel had played together on various sessions and isolated gigs around New York, Redman and Kurt had not previously collaborated. But Josh had been a keen observer (and great fan) of Kurt’s music for years. As he wrote in his insightful liner notes to Rosenwinkel’s Verve debut, The Enemies of Energy: “Kurt is a man of many musical virtues. His technique is prodigious. His ears are huge. His time is solid. His groove is ferocious. His articulation is precise. His tone is penetrating but warm. His narrative flow is relaxed yet dynamic. His ideas are often surprising, sometimes shocking. But always compelling and inevitably satisfying. He is an adventurous soloist, an empathic accompanist and a poetic composer...He navigates the jazz idiom with fluidity and grace. He is an uninhibited, uncompromising and uncommonly inspired artistic voice. He is an organic, intuitive innovator...a natural original.”
From dynamic new renditions of older compositions like the chops-busting “Synthetics” (from The Enemies of Energy) or the gentle and evocative “Use of Light” (from The Next Step) to hauntingly beautiful interpretations of the standard “If I Should Lose You” and the melancholy Billie Holiday vehicle “Deep Song, ”Rosenwinkel unleashes his typically cascading, sonorous guitar lines with newfound authority. “I feel like as a guitarist I really got to a place of expressive maturity on this record,” says the Philadelphia native, who currently resides in Zurich, Switzerland, “so I’m really happy about that.”
Also included in the 74-minute program are new or previously unissued Rosenwinkel originals like “Cake” (based on George Gershwin’s “Let Them Eat Cake”), “Gesture Lester” (an homage to his pianist father), “The Cloister,” “Brooklyn Sometimes” and “The Cross,” each rendered with masterful aplomb by Kurt and company. “The title of this album perfectly expresses where I’m coming from in my approach to jazz,” says the guitarist-composer-bandleader. “The music that I love always had that quality to it. From Billie Holiday to Sonny Rollins and John Coltrane, Ornette Coleman and Don Cherry, Miles Davis and Bill Evans...there’s always a deep sense of song to it. That’s a quality that I feel can be very lacking in today’s jazz that’s being made. But the music on this album was approached from those aesthetic values of deep song that we all share in the band. And that’s why I called the record Deep Song. Because that concept, that approach to music is the most basic, fundamental place from which I feel we’re all playing music.”
While Rosenwinkel had talked in the past about forming a band with Mehldau and Redman, all the pieces didn’t fall into place until last summer when they finally went out on a European tour in preparation for a studio recording. As Kurt explains, “We’ve all been close musical friends for over a decade and there’s always been an understanding and an appreciation for each other’s music. So when I was thinking of what to do next after Heartcore, I immediately thought of Brad and Josh. These guys, of course, are leaders of their own bands and have very busy schedules, but it just so happened that neither of them was touring this last summer. It turned out to be the perfect time to do what we had always talked about doing. So we all got together and had a great time on the tour, and then making the record was a deep pleasure.”
While Mehldau and Rosenwinkel had played together on various sessions and isolated gigs around New York, Redman and Kurt had not previously collaborated. But Josh had been a keen observer (and great fan) of Kurt’s music for years. As he wrote in his insightful liner notes to Rosenwinkel’s Verve debut, The Enemies of Energy: “Kurt is a man of many musical virtues. His technique is prodigious. His ears are huge. His time is solid. His groove is ferocious. His articulation is precise. His tone is penetrating but warm. His narrative flow is relaxed yet dynamic. His ideas are often surprising, sometimes shocking. But always compelling and inevitably satisfying. He is an adventurous soloist, an empathic accompanist and a poetic composer...He navigates the jazz idiom with fluidity and grace. He is an uninhibited, uncompromising and uncommonly inspired artistic voice. He is an organic, intuitive innovator...a natural original.”
Rezensionen
S. Richter in Stereo 4/05: "Zehn abenteuerliche Kompo- sitionen von einem erstklassigen Ensemble mit den Co-Stars Joshua Redman am Tenorsaxofon und Brad Mehldau am Klavier eingespielt und geeint durch diesen expressiven, höchst originellen Gitarrensound, gesanglich und melodiös, dabei fordern und neu. Königlich!" L. Jänichen in stereoplay 3/05: "Diese Allstar-Band, mit Larry Grenadier, Bass, und Al Jackson, Schlagzeug, macht entspannt dort weiter, wo Pat Metheny "80/81" anfing." G. Fischer in Musikexpress 3/05: "Mit "Deep Song" erobert sich Rosenwinkel endlich den Platz, der ihm bebührt. Ganz weit oben zwischen John Scofield, Pat Metheny und John Abercrombie. Die energiereiche und unbekümmerte Spiel- laune der ersten beiden kreuzt Rosenwinkel jetz mit der kultiviert-kontrastreichen Intelligenz Abercrombies. Und herausgekommen ist ein Album, nach dem sich sämtliche Gitarren- und Jazzfinger lecken müssen. Da purzeln Funky- Grooves, rock-jazzige Passagen und klassische Swing-An- leihen hinein und durcheinander. Zwischendurch gibt es balladeske Erholungsphasen."- Tracklisting
- Mitwirkende
Disk 1 von 1 (CD)
- 1 The Cloister
- 2 Brooklyn Sometimes
- 3 The Cross
- 4 If I Should Lose You
- 5 Synthetics
- 6 Use Of Light
- 7 Cake
- 8 Deep Song
- 9 Gesture
- 10 The Next Step
