Bill Evans (Piano): Everybody Digs Bill Evans (180g) (Limited Edition)
Everybody Digs Bill Evans (180g) (Limited Edition)
LP
LP (Long Play)
Die gute alte Vinyl - Langspielplatte.
lieferbar innerhalb 1-2 Wochen
(soweit verfügbar beim Lieferanten)
(soweit verfügbar beim Lieferanten)
EUR 21,99*
Verlängerter Rückgabezeitraum bis 31. Januar 2025
Alle zur Rückgabe berechtigten Produkte, die zwischen dem 1. bis 31. Dezember 2024 gekauft wurden, können bis zum 31. Januar 2025 zurückgegeben werden.
Vinyl liefern wir innerhalb Deutschlands immer portofrei.
- Label: JazzWax, 1958
- Bestellnummer: 5910080
- Erscheinungstermin: 10.3.2017
Weitere Ausgaben von Everybody Digs Bill Evans
- EUR 24,99* Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (180g) (Natural Clear Vinyl) LP, (180g) (Natural Clear Vinyl)
- EUR 21,99* Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (180g) LP, (180g)
- EUR 26,99* Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (180g) (Grey Marbled Vinyl) LP, (180g) (Grey Marbled Vinyl)
- EUR 19,99* Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (180g) LP, (180g)
- EUR 19,99* Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (180g) (Limited Edition) (Red Vinyl) LP, (180g) (Limited Edition) (Red Vinyl)
- EUR 17,99* Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (SHM-CD) CD, (SHM-CD), Japan-Import
+ Sam Jones, "Philly" Joe Jones
Die Legende von Bill Evans beginnt wirklich mit diesem Album, seinem zweiten. Der Pianist hatte gerade den größten Teil des Jahres 958 als Teil einer der wichtigsten Einheiten der Jazzgeschichte verbracht: dem Miles Davis Sextett, zu dem auch John Coltrane und Cannonball Adderley gehörten. Seine Musikerkollegen wussten bereits um seinen Wert (der Albumtitel war fast wörtlich zutreffend, und die vier Endorsements auf dem Cover, die Bill in Verlegenheit brachten, hätten leicht vervielfacht werden können); mit dieser Platte begann die Jazzöffentlichkeit, ihrem Beispiel zu folgen. Unterstützt von Sam Jones und Philly Joe Jones spielte Evans einige seiner schwungvollsten Trioseiten ein, aber die Session wäre denkwürdig, wenn sie nur die bemerkenswerte und eindringliche Solo-Improvisation namens "Peace Piece" hervorgebracht hätte.
The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead. Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called "Peace Piece."
(concordmusicgroup. com)
The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead. Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called "Peace Piece."
(concordmusicgroup. com)
- Tracklisting
- Mitwirkende
Die Hörproben gehören zum Artikel Bill Evans (Piano) (1929-1980): Everybody Digs Bill Evans (CD). Das Tracklisting kann bei diesem Artikel ggf. abweichen.
LP
- 1 Minority
- 2 Young and foolish
- 3 Lucky to be me
- 4 Night and day
- 5 Epilogue
- 6 Tenderly
- 7 Peace piece
- 8 What is there to say?
- 9 Oleo
- 10 Epilogue
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