Georg Friedrich Händel: Chandos Anthems Nr.7,9,11a
Chandos Anthems Nr.7,9,11a
Emma Kirkby, Iestyn Davies, Neil Davies, James Gilchrist, Choir of Trinity College Cambridge, Academy of Ancient Music, Stephen Layton
CD
CD (Compact Disc)
Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- (Nr. 7 "My song shall be alway";Nr. 9 "O praise the Lord with one consent";Nr. 11a "Let God arise")
- Künstler: Emma Kirkby, Iestyn Davies, James Gilchrist, Neil Davies, Trinity College Choir Cambridge, Academy of Ancient Music, Stephen Layton
- Label: Hyperion, DDD, 2008
- Bestellnummer: 2247187
- Erscheinungstermin: 22.5.2009
Große Effekte mit geringen Mitteln
Stephen Layton, die Academy of Ancient Music, der Chor des Trinity College, Cambridge und eine illustre Schar an Händel-Spezialisten – kurz: das Beste, was England an Händel-Gesang zu bieten hat – präsentieren auf der vorliegenden Aufnahme drei seiner insgesamt elf Chandos Anthems. Während die Soli durch ihre Ausdruckspalette beeindrucken, nimmt Händel in den vierstimmigen Chorsätzen jede Gelegenheit wahr, mit geringen Mitteln große Effekte zu erzielen.
In a year of Handel celebration and many new recordings, this is a welcome addition to the discography. Stephen Layton, the Academy of Ancient Music, the Choir of Trinity College, Cambridge, and a stellar group of soloists—in fact, the best in solo Handel singing that this country has to offer—present a disc of three of the Chandos anthems which is sure to achieve the same critical and public acclaim as the recent Dettingen Te Deum from Trinity.
Here we have the composer at his most English and most gently appealing. Written for the musical establishment of the first Duke of Chandos, these anthems set texts taken from the Psalms, mainly the old version of the Psalter as preserved in the Book of Common Prayer, but also the metrical versions of Nahum Tate and Nicholas Brady, first published in 1696. The anthems have no direct models in English church music, but follow the form used by Handel for his Latin psalm settings, with a mixture of movements for solo voices and choruses. The expressive range of the solos is remarkable, and in the choruses Handel seizes every opportunity to create grand effects with modest means.
'Very good performances… Emma Kirby sings with beauty and authority… much to enjoy here' (Fanfare, USA)
'Der Choir of Trinity College überzeugt mit klarem Stimmfokus, hoher Koloratursicherheit und exzellenter Aussprache .. Nuancen bringen die vier Solisten nahezu optimal zur Geltung' (Fono Forum, Germany)
'There is vintage Handel to be gleaned here … Layton offers luxury casting, Iestyn Davies and Neal Davies on particularly commanding form … The only thing missing on this disc are the words 'Vol. 1'. Such 'Handel with care' deserves nothing less' (BBC Music Magazine)
'Stephen Layton is on a roll … His inspirational direction and choice of top soloists makes this a welcome addition to earlier recordings. The choir sings with their usual purity of tone and clear diction whle the Academy of Ancient Music plays with convincing vigour in the sprightly double-dotted passages' (The Observer)
Stephen Layton, die Academy of Ancient Music, der Chor des Trinity College, Cambridge und eine illustre Schar an Händel-Spezialisten – kurz: das Beste, was England an Händel-Gesang zu bieten hat – präsentieren auf der vorliegenden Aufnahme drei seiner insgesamt elf Chandos Anthems. Während die Soli durch ihre Ausdruckspalette beeindrucken, nimmt Händel in den vierstimmigen Chorsätzen jede Gelegenheit wahr, mit geringen Mitteln große Effekte zu erzielen.
Product-Information:
In a year of Handel celebration and many new recordings, this is a welcome addition to the discography. Stephen Layton, the Academy of Ancient Music, the Choir of Trinity College, Cambridge, and a stellar group of soloists—in fact, the best in solo Handel singing that this country has to offer—present a disc of three of the Chandos anthems which is sure to achieve the same critical and public acclaim as the recent Dettingen Te Deum from Trinity.
Here we have the composer at his most English and most gently appealing. Written for the musical establishment of the first Duke of Chandos, these anthems set texts taken from the Psalms, mainly the old version of the Psalter as preserved in the Book of Common Prayer, but also the metrical versions of Nahum Tate and Nicholas Brady, first published in 1696. The anthems have no direct models in English church music, but follow the form used by Handel for his Latin psalm settings, with a mixture of movements for solo voices and choruses. The expressive range of the solos is remarkable, and in the choruses Handel seizes every opportunity to create grand effects with modest means.
Rezensionen
'Very good performances… Emma Kirby sings with beauty and authority… much to enjoy here' (Fanfare, USA)
'Der Choir of Trinity College überzeugt mit klarem Stimmfokus, hoher Koloratursicherheit und exzellenter Aussprache .. Nuancen bringen die vier Solisten nahezu optimal zur Geltung' (Fono Forum, Germany)
'There is vintage Handel to be gleaned here … Layton offers luxury casting, Iestyn Davies and Neal Davies on particularly commanding form … The only thing missing on this disc are the words 'Vol. 1'. Such 'Handel with care' deserves nothing less' (BBC Music Magazine)
'Stephen Layton is on a roll … His inspirational direction and choice of top soloists makes this a welcome addition to earlier recordings. The choir sings with their usual purity of tone and clear diction whle the Academy of Ancient Music plays with convincing vigour in the sprightly double-dotted passages' (The Observer)
Rezensionen
FonoForum 03/10: "Sein Choir of Trinity College, nach wie vor einer der besten gemischten Studentenchöre Englands, überzeugt mit klarem Stimmfokus, hoher Koloratursicherheit und exzellenter Aussprache; überdies verleiht er den Alleluia-Passagen, mit denen jedes Anthem schließt, eine bemerkenswerte Frische, die deutlich werden lässt, was Zeitgenossen bei Händel im Vergleich mit seinen Vorgängern Purcell und Blow als atemberaubend neu empfunden haben müssen."- Tracklisting
- Details
- Mitwirkende
Disk 1 von 1 (CD)
Chandos Anthems / Chandos Anthems Nr. 1-11 HV 246-256: Nr. 9 (HV 254 Oh Praise The Lord With One Consent)
- 1 Nr. 1 O Praise The Lord With One Consent (Chor)
- 2 Nr. 2 Praise Him, All Ye That In His House (Alt)
- 3 Nr. 3 For This Our Truest Intrest Is (Tenor)
- 4 Nr. 4 That God Is Great (Bass)
- 5 Nr. 5 With Cheerful Notes (Chor)
- 6 Nr. 6 God#s Tender Mercy (Sopran)
- 7 Nr. 7 Ye Boundless Realms Of Joy (Chor)
- 8 Nr. 8 Your Voices Raise (Chor)
Chandos Anthems / Chandos Anthems Nr. 1-11 HV 246-256 Nr. 11a (HV 256a Let God Arise)
- 9 Nr. 1 Sinfonia: Andante - Allegro
- 10 Nr. 2 Let God Arise (Chor)
- 11 Nr. 3 Like As The Smoke Vanisheth (Tenor)
- 12 Nr. 4 Let The Righteous Be Glad (Sopran)
- 13 Nr. 5 O Sing Unto God (Alt, Bass, Chor)
- 14 Nr. 6 Praised Be The Lord (Chor)
- 15 Nr. 7 At Thy Rebuke, O God (Chor)
- 16 Nr. 8 Blessed Be God, Alleluja (Chor)
Chandos Anthems / Chandos Anthems Nr. 1-11 HV 246-256 Nr. 7 (HV 252 My Song Shall Be Alway)
- 17 Nr. 1 Sonata: Largo e staccato - Allegro
- 18 Nr. 2 My Song Shall Be Alway (Sopran, Chor)
- 19 Nr. 3 For Who Is He Among The Clouds (Tenor)
- 20 Nr. 4 God Is Very Greatly To Be Feared (Tenor)
- 21 Nr. 5 The Heav#ns Are Thine (Alt, Bass)
- 22 Nr. 6 Righteousness And Equity (Chor)
- 23 Nr. 7 Blessed Is The People (Sopran)
- 24 Nr. 8 Thou Art The Glory (Chor)
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