Dieterich Buxtehude: Orgelwerke
Orgelwerke
Super Audio CD
SACD (Super Audio CD)
Die SACD verwendet eine höhere digitale Auflösung als die Audio-CD und bietet außerdem die Möglichkeit, Mehrkanalton (Raumklang) zu speichern. Um die Musik in High-End-Qualität genießen zu können, wird ein spezieller SACD-Player benötigt. Dank Hybrid-Funktion sind die meisten in unserem Shop mit "SACD" gekennzeichneten Produkte auch auf herkömmlichen CD-Playern abspielbar. Dann allerdings unterscheidet sich der Sound nicht von einer normalen CD. Bei Abweichungen weisen wir gesondert darauf hin (Non-Hybrid).
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EUR 19,99*
Verlängerter Rückgabezeitraum bis 31. Januar 2025
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Toccaten BuxWV 155 & 156
+Präludien BuxWV 148 & 153; Ciacona BuxWV 160; Magnificat im 1.Ton BuxWV 203; Te Deum Laudamus BuxWV 218; Choräle BuxWV 196, 207, 220, 221 - Tonformat: stereo & multichannel (Hybrid)
- Künstler: Masaaki Suzuki / Klapmeyer Orgel St. Nicolai Altenbruch & Wilde-Schnitger-Orgel St. Jacobi Church Lüdingworth
- Label: BIS, DDD, 2008
- Bestellnummer: 3677003
- Erscheinungstermin: 24.2.2010
Masaaki Suzuki playing the Klapmeyer Organ of St Nicolai Church, Altenbruch and the Wilde-Schnitger Organ of St Jacobi Church, Lüdingworth
As the composer that Johann Sebastian Bach at the age of twenty walked more than 400 kilometres in order to meet, Dietrich Buxtehude holds a place of honour in the history of music. Luckily, an important portion of his music, mainly vocal works and organ pieces, has also survived. Having spent his childhood and early years in Helsingborg and Elsinore, on either side of the strait that divides Denmark and Sweden, Buxtehude was recruited as organist by the congregation of the great Marienkirche in the wealthy Hanseatic city of Lübeck. On the basis of this, as well as the challenges posed by his organ compositions, it is safe to assume that he was a virtuoso on his instrument. He would also have been a connoisseur of fine organs - the finest of which at the time were to be found in Northern Germany. Two such magnificent instruments still exist in the small towns of Altenbruch and Lüdingworth, some 130 kilometres west of Lübeck, and on them Masaaki Suzuki here performs a varied selection of Buxtehude's organ works. This ranges from brief chorale preludes to the magnificent Te Deum laudamus and the celebrated Ciaccona in E minor. Although he is most widely known for his on-going, highly praised series of Bach's cantatas on BIS, Masaaki Suzuki in fact began his professional career as a church organist at the age of twelve, later studying the instrument both in Tokyo and in Amsterdam. For BIS he has previously recorded Bach's Organ Mass ('an organist of distinguished musicianship and superior technique' wrote the American Record Guide) and organ works by Sweelinck, a disc which upon its release was recommended by Gramophone and described in International Record Review as containing 'performances which are compelling in their stylistic integrity and uncompromising musicianship.'
As the composer that Johann Sebastian Bach at the age of twenty walked more than 400 kilometres in order to meet, Dietrich Buxtehude holds a place of honour in the history of music. Luckily, an important portion of his music, mainly vocal works and organ pieces, has also survived. Having spent his childhood and early years in Helsingborg and Elsinore, on either side of the strait that divides Denmark and Sweden, Buxtehude was recruited as organist by the congregation of the great Marienkirche in the wealthy Hanseatic city of Lübeck. On the basis of this, as well as the challenges posed by his organ compositions, it is safe to assume that he was a virtuoso on his instrument. He would also have been a connoisseur of fine organs - the finest of which at the time were to be found in Northern Germany. Two such magnificent instruments still exist in the small towns of Altenbruch and Lüdingworth, some 130 kilometres west of Lübeck, and on them Masaaki Suzuki here performs a varied selection of Buxtehude's organ works. This ranges from brief chorale preludes to the magnificent Te Deum laudamus and the celebrated Ciaccona in E minor. Although he is most widely known for his on-going, highly praised series of Bach's cantatas on BIS, Masaaki Suzuki in fact began his professional career as a church organist at the age of twelve, later studying the instrument both in Tokyo and in Amsterdam. For BIS he has previously recorded Bach's Organ Mass ('an organist of distinguished musicianship and superior technique' wrote the American Record Guide) and organ works by Sweelinck, a disc which upon its release was recommended by Gramophone and described in International Record Review as containing 'performances which are compelling in their stylistic integrity and uncompromising musicianship.'
- Tracklisting
- Mitwirkende
Disk 1 von 1 (SACD)
- 1 Toccata F-Dur BuxWV 156
- 2 Präludium und Fuge a-moll BuxWV 153
- 3 Ciacona e-moll BuxWV 160
- 4 Te Deum laudamus BuxWV 218 (Choralfantasie)
- 5 Von Gott will ich nicht lassen BuxWV 220 (Choralvorspiel)
- 6 Von Gott will ich nicht lassen BuxWV 221 (Choralvorspiel)
- 7 Präludium g-moll BuxWV 149
- 8 Toccata d-moll BuxWV 155
- 9 Nimm von uns, Herr, du treuer Gott BuxWV 207 (Choralpartita)
- 10 Ich ruf zu Dir, Herr Jesu Christ BuxWV 196
- 11 Magnificat im 1. Ton BuxWV 203
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