Oliver Optic: Now or Never; Or, The Adventures of Bobby Bright Oliver Optic, Kartoniert / Broschiert

Klappentext

"Now or Never; Or, The Adventures of Bobby Bright" by Oliver Optic is a 19th-century adventure novel aimed at young readers. It follows the story of Bobby Bright, a smart, determined, and morally upright boy who is forced to become self-reliant when misfortune strikes his family.

After his father becomes ill and can no longer support the household, Bobby takes it upon himself to help. He becomes a newsboy and later a traveling agent, embarking on a journey full of challenges, personal growth, and encounters with both good and bad characters. Through his adventures, Bobby demonstrates courage, integrity, and perseverance, ultimately achieving success through hard work and honesty.

The novel blends moral lessons with action and humor, making it a popular example of Oliver Optic's uplifting and didactic storytelling style for young readers in the 19th century.

About the Author

William Taylor Adams (July 30, 1822 - March 27, 1897), pseudonym Oliver Optic, was an academic, author, and a member of the Massachusetts House of Representatives.

Adams first began to write at the age of 28, and his first book, Hatchie, the Guardian Slave (1853), was published under the pseudonym of Warren T. Ashton. It was only a modest success, but Adams was undaunted. In 1854 Adams produced his first real hit, the initial volume in the Boat Club series. Adams continued to write until he died in Dorchester, March 27, 1897. Among his best-known works were the two "Blue & Gray" series, which were set during the Civil War.

Adams wrote well over 100 books in total, most of them for a boy audience, and the majority of these in series of four to six volumes published under a pseudonym. Two novels published in his own name, The Way of the World and Living Too Fast, were aimed at adult readers but fell flat. Though "Oliver Optic" was the pseudonym he used most, his work also appeared under the bylines "Irving Brown," "Clingham Hunter, M. D.," and "Old Stager." Like many children's authors of his day, he was additionally an editor, and many of his works first appeared in Oliver Optic's Magazine.

Adams' writing was criticized by Louisa May Alcott, among others. Alcott used her story Eight Cousins to deplore Adams' use of slang, his cast of bootblacks and newsboys, and his stories of police courts and saloons. Adams responded in kind, pointing out Alcott's own use of slang and improbable plot twists. (wikipedia. org)