"Following more than a decade of research on various kinds of inauthentic Native American art, Janet Berlo presents a series of cases that demonstrate the range and complexity of the issues at stake. From Native and non-Native artists commissioned by Native communities to make replicas of original Native artistic works to non-Natives creating Native style art for commercial gain to uses of pastiche and obfuscation in creating artistic objects for various purposes, Berlo looks at misrepresentation and replication in nuanced and careful detail"--
