Ivan Turgenev: Nest of the Gentry & Virgin Soil, Gebunden

Klappentext

This volume pairs two novels, one early, one late, by Ivan Turgenev, master chronicler of nineteenth-century Russia.

Nest of the Gentry (1859) was his most popular work in his lifetime, and with good reason. An elegiac story of love and loss, it is both universal and particularly Russian. The hero Fyodor Lavretsky, son of a wealthy landowner and educated in the Western style, falls romantically in love with a woman he meets at the Moscow opera; they settle in Paris. When the marriage fails, he returns to Russia, a rootless cosmopolitan or 'superfluous man'. Back on his country estate, can he make a new start, reconcile himself to his responsibilities to the land and the people, and achieve an almost spiritual fulfilment in his love for his young cousin Liza?

In Virgin Soil (1877), an older Turgenev boldly tackles the new radical politics of his era. The Tsarist regime is increasingly under challenge. Young people are flocking to the countryside to live side by side with the peasants, both to learn from them and to radicalise them. Poet Alexey Nezhdanov is an unlikely revolutionary, an over-thinking Hamlet figure, and a tragedy waiting to happen. While working as a tutor on a country estate, he is attracted to the self-assured and politically committed Marianna - an ardent idealist determined to sacrifice herself for the revolutionary cause. Turgenev, himself a liberal, deals sympathetically with his characters, respecting the seriousness of purpose of this new generation whose methods he could not endorse. Virgin Soil turned Turgenev into an international figure, and explicator of the perplexing Russian political scene (in its year of publication hundreds of young Populists were brought to trial, many receiving heavy sentences); in Russia it was roundly condemned on all sides.

Turgenev was a supreme artist; in both these novels his profound humanity, his love for nature and for the Russian countryside, shine through the lyrical elegance of his prose.