Frida Kahlo: Kahlo-isms, Gebunden
Kahlo-isms
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- Publisher:
- Larry Warsh
- Publisher:
- Princeton University Press, 11/2026
- Binding:
- Gebunden
- Language:
- Englisch
- ISBN-13:
- 9780691291956
- Item number:
- 12673392
- Volume:
- 144 Pages
- Release date:
- 24.11.2026
- Series:
- ISMs
- Note
-
Caution: Product is not in German language
Blurb
A collection of compelling quotations from iconic painter Frida Kahlo
Frida Kahlo (1907--1954) has achieved a legendary status in the visual world. A master of the self-portrait, she celebrated Mexican culture and heritage in her work while also intimately and poignantly exploring identity, gender, sexuality, disability, race, and the body. Drawn from Kahlo's diaries, letters, interviews, and other sources, Kahlo-ismsis a powerful, revealing, and memorable collection of quotations from throughout her life. Fierce, individual, and introspective, Kahlo's words offer a vivid, immediate window into the life, mind, and spirit of one of the most influential artists of the twentieth century.
- "I drank to drown my pain, but the damned pain learned how to swim."
- "There have been two great accidents in my life. One was the trolley, and the other was Diego. Diego was by far the worst."
- "Feet, what do I need you for when I have wings to fly?"
- "I paint self-portraits because I am so often alone, because I am the person I know best."
- "Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light."
Biography (Frida Kahlo)
Frida Kahlo, geboren am 6. Juli 1907 in Coyoacán/Mexico, gestorben ebendort am 13. Juli 1954. Ihr nur 143 meist kleinformatige Gemälde umfassendes Werk ist erst seit den siebziger Jahren, als die Frauenbewegung sie entdeckte, weltweit berühmt geworden; einige ihrer Bilder, wie "Die gebrochene Säule" oder "Der verwundete Hirsch", sind inzwischen Ikonen weiblicher Selbstdarstellung. Prägend für ihr Werk war ihr persönliches Schicksal. Als 18jährige erlitt sie einen Busunfall, dessen Folgen sie bis an ihr Lebensende ertragen musste und ihr ureigener Blick auf die Kunst, die sie mexikanische Folklore mit Surrealismus, barocke Maltechniken mit Autobiographischem verschmelzen ließ.