Weitere Ausgaben von Impressionist and Post-Impressionist Drawings
Klappentext
An authoritative analysis of the drawings (including watercolours and pastels) of twenty leading Impressionist and Post-Impressionist artists in one magnificent volume. Manet, Pissarro, Morisot, Cézanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late 19th-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolours by Cézanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed.
Biografie
Christopher Lloyd studierte Geschichte in Cambridge und arbeitete anschließend als Redakteur und mehrfach ausgezeichneter Wissenschaftsjournalist für die englische Wochenzeitung The Sunday Times. Nachdem er einige Jahre in den Bereichen neue Medien- und Bildungssoftware tätig war, brach er 2006 mit seiner Frau und seinen beiden Kindern zu ausgedehnten Reisen durch ganz Europa auf.