Anton Pavlovich Chekhov: The Schoolmistress and Other Stories, Kartoniert / Broschiert
The Schoolmistress and Other Stories
(soweit verfügbar beim Lieferanten)
- Verlag:
- Bibliotech Press, 08/2025
- Einband:
- Kartoniert / Broschiert
- Sprache:
- Englisch
- ISBN-13:
- 9798897732340
- Artikelnummer:
- 12447274
- Umfang:
- 146 Seiten
- Gewicht:
- 248 g
- Maße:
- 229 x 152 mm
- Stärke:
- 9 mm
- Erscheinungstermin:
- 29.8.2025
- Hinweis
-
Achtung: Artikel ist nicht in deutscher Sprache!
Klappentext
Anton Chekhov's The Schoolmistress and Other Stories is a powerful collection that captures the quiet struggles and subtle emotions of everyday life in late 19th-century Russia. Known for his deep psychological insight and simple yet elegant prose, Chekhov uses these short stories to explore the loneliness, disappointment, and small hopes that shape human experience. The title story, "The Schoolmistress," follows a tired teacher traveling back to her village school. Her journey is cold, miserable, and filled with inner reflection, symbolizing the burdens of her thankless profession and the quiet despair of her life. Like many of Chekhov's characters, she is caught in a routine that offers little joy or reward, yet she continues on, driven by duty and a faint sense of hope.
Throughout the collection, Chekhov's characters are ordinary people-doctors, soldiers, clerks, peasants-each facing moments of emotional crisis or quiet realization. Their stories are not filled with dramatic events, but rather small incidents that reveal larger truths about life. In one story, a shy officer receives a mistaken kiss and becomes obsessed with the idea that it meant something deeper, only to be disappointed by reality. In another, a cab driver longs to talk to someone about his son's death, but no one will listen, leaving him alone with his grief. These moments of emotional isolation are a recurring theme in Chekhov's work, showing how difficult it is for people to truly connect with one another.
Chekhov's writing style is understated and subtle. He doesn't explain everything to the reader, but instead allows emotions and meanings to emerge naturally through small details and quiet observations. This gives his stories a sense of realism, as if we are simply witnessing life unfold. He avoids moral judgment, letting the reader form their own impressions of the characters and their choices. Despite the sadness present in many of the stories, Chekhov also shows moments of kindness, beauty, and even humor, reminding us that life, though often difficult, is complex and full of contradictions.
In The Schoolmistress and Other Stories, Chekhov proves that short stories can be just as rich and meaningful as longer works. His ability to capture deep emotion in a few pages, and to make readers feel the quiet struggles of his characters, is what makes him one of the greatest short story writers of all time. This collection is not just a window into Russian society of the past, but a timeless reflection on what it means to be human.
About the Author
Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian playwright and short-story writer, widely considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."
Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." The plays that Chekhov wrote were not complex, and created a somewhat haunting atmosphere for the audience... (wikipedia. org)
