The Wild River (1960) (Blu-ray & DVD) (UK Import)
The Wild River (1960) (Blu-ray & DVD) (UK Import)
1 Blu-ray Disc, 1 DVD
Blu-Ray Disc
Die Blu-Ray wurde als High-Definition-Nachfolger der DVD entwickelt und bietet ihrem Vorläufer gegenüber eine erheblich gesteigerte Datenrate und Speicherkapazität. Auf Blu-Rays können daher Filme mit deutlich besserer Auflösung gespeichert werden und bieten auf entsprechenden Bildschirmen eine enorm hohe Bildqualität. Blu-Ray-Player sind in der Regel abwärtskompatibel zu DVDs, so dass auch diese abgespielt werden können.
DVDDie meisten angebotenen DVDs haben den Regionalcode 2 für Europa und das Bildformat PAL. Wir bieten aber auch Veröffentlichungen aus den USA an, die im NTSC-Format und mit dem Ländercode 1 auf den Markt kommen. Dies ist dann in unseren Artikeldetails angegeben.
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- USA, 1960
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Infos zu Titeln ohne Jugendfreigabe - Erscheinungstermin: 23.2.2015
- Serie: Masters of Cinema
-
Genre:
Drama
Spieldauer: 110 Min. - Regie: Elia Kazan
- Darsteller: Montgomery Clift, Lee Remick, Ja van Fleet
- Filmmusik: Kenyon Hopkins
- Deutscher Titel: Wilder Strom (1960)
- Sprache: Englisch
- Bild: Widescreen
- Untertitel: Englisch
Regarded as one of the crowning achievements in the career of both director Elia Kazan (A Streetcar Named Desire, On the Waterfront) and actor Montgomery Clift, Wild River charted new territory for cinema at the dawn of the 1960s, combining psychology, eroticism, documentary realism, and exquisite pictorial beauty within the CinemaScope frame.
In the early 1930s, an administrator for the Tennessee Valley Authority (Clift) arrives in the small town of Garthville with the business of convincing an elderly landowner to sell her land to the government. Soon afterward, he’s thrown into conflicts emotional (falling in love with the landowner’s widowed granddaughter, played by Lee Remick, who is expected to marry another man) and societal (the employment of black labour on the authority’s river project).
With its mix of the personal and the political, Wild River, in the words of critic and scholar Adrian Martin, shows us that "there is only, in each case and circumstance, the particular problem, the isolated breakthrough, and the irretrievable loss.” The Masters of Cinema Series is proud to present Wild River in a special Dual Format edition that presents the film on Blu-ray for the first time in the UK.
New 1080p transfer of the film on Blu-ray, with a progressive encode on the DVD
Optional English subtitles for the deaf and hard-of-hearing
New feature-length audio commentary with critics Glenn Kenny and Farran Smith Nehme
Original theatrical trailer
Gallery of behind-the-scenes and production stills
32-PAGE FULL COLOUR BOOKLET featuring a new essay on the film by critic Adrian Martin, remarks about the film by director Elia Kazan, and rare archival imagery
In the early 1930s, an administrator for the Tennessee Valley Authority (Clift) arrives in the small town of Garthville with the business of convincing an elderly landowner to sell her land to the government. Soon afterward, he’s thrown into conflicts emotional (falling in love with the landowner’s widowed granddaughter, played by Lee Remick, who is expected to marry another man) and societal (the employment of black labour on the authority’s river project).
With its mix of the personal and the political, Wild River, in the words of critic and scholar Adrian Martin, shows us that "there is only, in each case and circumstance, the particular problem, the isolated breakthrough, and the irretrievable loss.” The Masters of Cinema Series is proud to present Wild River in a special Dual Format edition that presents the film on Blu-ray for the first time in the UK.
New 1080p transfer of the film on Blu-ray, with a progressive encode on the DVD
Optional English subtitles for the deaf and hard-of-hearing
New feature-length audio commentary with critics Glenn Kenny and Farran Smith Nehme
Original theatrical trailer
Gallery of behind-the-scenes and production stills
32-PAGE FULL COLOUR BOOKLET featuring a new essay on the film by critic Adrian Martin, remarks about the film by director Elia Kazan, and rare archival imagery
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