Nat Adderley (1931-2000): Work Song (Keepnews Collection)

EUR 9,99*

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Nat Adderley (1931-2000)

Work Song (Keepnews Collection)

  • CD i
  • Erscheinungstermin: 3.6.2008
  • Verfügbarkeit: lieferbar innerhalb einer Woche
    (soweit verfügbar beim Lieferanten) i

Detailinformationen

  • Label: Concord, 1960
  • Bestellnummer: 1820998

Tracklisting

Details

Mitwirkende

  1. 1 Play Work Song
  2. 2 Play Pretty Memory
  3. 3 Play I've Got A Crush On You
  4. 4 Play Mean To Me
  5. 5 Play Fallout
  6. 6 Play Sack Of Woe
  7. 7 Play My Heart Stood Still
  8. 8 Play Violets For Your Furs
  9. 9 Play Scrambled Eggs

+ Wes Montgomery, Bobby Timmons, Sam Jones u.a.
*** 24Bit remastered

Produktinfo

Orrin's commentary (from his original liner notes): "There are two very good reasons why this album, which at this writing is just a couple of years short of being a half-century old, remains one of my warmest recording memories. Undoubtedly the more important reason is that this really represents the coming of age of Nat Adderley, a man I will always consider among the most adventurous and intelligent players and leaders I have ever worked with. But to step back and evaluate this album in a very personal way, it is half of what must be one of the most complicated and most rewarding weeks of recording activity I have ever experienced."
Key songs: "Work Song," "Sack of Woe"
Orrin on The Keepnews Collection:
This is a series of reissues that can be described as largely centered on my incredibly long (even to me) career as a jazz producer, contributing to the careers of some of the most significant jazz performers of our day. The series follows a specific set of ground rules. In each case the original product is preserved-cover art, the notes, and the entire initial recorded content, in the exact original sequence-and it is now presented with the sonic benefits of 24-bit remastering from the original master tapes. Alternate takes or originally unissued numbers, when available, appear as bonus tracks. In some instances I've added to the total lineup a never-used version that may have been recorded forty or more years ago. When that occasionally allows you to hear for the first time a "new" performance by a long-departed artist, be aware that I join you in considering this a truly wonderful addition. Finally, I have written a complete set of new commentaries, digging back into my memories of those often very good old days to tell a few more stories about this remarkable music and its people. On the whole, I am unreasonably and unshakably proud of the results.