Eivind Aarset: Live Extracts
Eivind Aarset: Live Extracts
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Eivind Aarset
Live Extracts
Detailinformationen
Tracklisting
+ The Sonic Codex Orchestra
Produktinfo
Taken from various venues, and with slight variations of personnel, Live Extracts retains the unity of feeling and purpose found on Aarset's studio work, yet is constructed from a completely different perspective. The dynamism of the live sets offers the listener a fresh perspective on familiar material, often sounding completely reimagined. However, the distinctive approach is clearly that of Eivind Aarset, albeit less distilled or refined: this is the raw ore of his imagination, often bold, energetic, and untamed, yet capable of moments of stillness, tenderness and cool composure. It is an expressionistic version of his sonic world, but never falls into self-indulgence - ego takes a distant backseat, instead allowing the interplay of the musicians to grow both inside and out the song structures that Aarset's fanbase know so well, creating something utterly new in the process. The opening and closing tracks, although growing to and from separate established pieces from the Aarset oeuvre, are superb examples of spontaneous music, filled with atmosphere and delicate brilliance. Echoes of Jimi Hendrix and Miles Davis also resound in Electromagnetic and Sign of Seven respectively, but are driven through a very Aarset filter. For fans, this will be an affirmation of their zeal for his music. And for those who have never experienced Eivind Aarset's live performances, Live Extracts will be a revelation, one that will make them pay very close attention to concert listings in future. (gubemusic. com)Rezensionen
"Live Extracts, beyond the performance itself, is most remarkable in that it feels as though it's from a single performance, despite two tracks actually being the seamless merging of two separate performances. Aarset the producer is as meticulous and well thought-out as Aarset the player, and the resonant, rarified yet powerful Live Extracts acts as both consolidation and overdue document of this increasingly significant artist's persistent evolution." (allaboutjazz. com)
"Some passages sound like the Mahavishnu Orchestra played at half-speed, some like Jack Johnson-era Miles Davis, a twangy guitar recorded in Joe Meek's bathroom or Fleetwood Mac playing Morricone. It's for ambient groovers rather than jazzers, but it's very accomplished, and significantly different to Aarset's studio work." (guardian. co. uk)





